Tag Archives: IQSCM

Red and White Quilts, Part 1

My quilts are done. I am ready for the quilt show. That’s good, because it begins today!

Our show will feature more than 200 quilts, exhibited in the beautiful First United Methodist Church of Iowa City. Small wall-hangings to large bed covers, quilts of every size and color will be a feast for the eyes. The most prominent color will be RED, with our special exhibit of red and white quilts.

I have six quilts entered in the show, including two red and white ones. Both of these quilts are new this year. In 2012 I made one other red and white quilt. Believe me when I say I doubt I will make another.

Here are the three quilts.

Fire & Ice
This quilt was inspired by a photo I found in the archives of the International Quilt Study Center & Museum. You can find out more about the inspiration and my process here and here. My quilting process is described here. This quilt will be part of the special red and white display.

Fire & Ice. Approx 68″ x 68″. Based on IQSC Object Number 1997.007.0797 from the International Quilt Study Center & Museum, a quilt from 1800-1820. May 2017. Photo by Jim Ruebush.

Hibiscus Mountain
The other red and white quilt I made this year was easier and more fun. In some ways that makes it more satisfying, and in some ways it makes me “like” it more. However, I will be happy to give this quilt to a loved one. I won’t be giving Fire & Ice away.

You can read about this quilt’s process here. The design is called “Delectable Mountains,” and it is an old design, too. In the US, quilts in this style have been made since the early 1800s. I’ve also seen pictures of a red and white Delectable Mountains quilt in the Welsh tradition.

Hibiscus Mountain. 73″ x 73″. Delectable Mountains format. Finished spring 2017. Photo by Jim Ruebush.

Hibiscus Mountain won’t technically be in the red and white display, because of the colors in the hibiscus print. However, we will have the “other” red and white quilts, such as this, grouped together adjacent to the display. I’m not sure the general viewer will discern them as different.

Circles of Love
My guild has an annual challenge, and in 2012 it was to create a red and white quilt, using only red and white. I entered this quilt, which uses a wedding ring block. While the block is traditional, I designed the setting. If you look at the “points” of the large center, you can see they are shaped as hearts, to emphasize the wedding or love theme.

When I finished the top on April 15 that year, I posted in Facebook about it: “I never cried on finishing a top before. This was not fun… I don’t like the rigidity in color format. Once a block was done, it was pretty, but every other block was just the same. So there was no joy in execution… 1521 pieces. More than any quilt I’ve made. Almost all of them were triangles…”

Circles of Love, also known as the hunger quilt. A friend “purchased” it from me, giving the price to a local food pantry. It’s about 70″ square. 2012. Photo by Jim Ruebush.

As now, I declared then I’d never make another red and white quilt. I could change my mind again, as I did this spring. The strong contrast, both of color and value, make red and white quilts exciting to see. However, I really don’t like using white. It gets grimy, and it shows varicose veins, the stray threads that are unavoidably trapped when quilting. Fire & Ice seemed to take forever to complete, with one character-building challenge after another. And the quilt show drama about the red and white issue took a lot of the fun out of completing it. Whatever. It fer sure won’t be any day soon that I’ll make another.

Still, I’m thrilled with how these turned out, and I’m proud to enter them in our show. And now, on to the next challenges and opportunities.

Ohio Red and White Medallion, Fire and Ice

It’s been rather a slog, but I’ve finally finished the top of this quilt.

Fire and Ice. Unquilted top. Approx 68″ x 68″. Based on IQSC Object Number 1997.007.0797 from the International Quilt Study Center & Museum, a quilt from 1800-1820. March 2017

In general, construction was pretty simple. The delays came in decision-making, especially for the corner blocks. After originally considering making each corner different and including my initials and the year, I decided to make them the same. My first impulse there was to use Ohio Stars. I thought this would work well for style, and it would be a reference to the IQSCM’s belief that the original quilt may have been made in Ohio. I made a test block with an Ohio Star and wasn’t happy with it. I liked the way the star points repeated the hourglass construction of the first big border. However, somehow it just looked like too many small pieces.

After trying a few other designs in EQ7, I chose the modified variable star to center my blocks. It actually uses the same shapes as the Ohio Star but in different proportions. As I said to Jim, I can’t define why I like it better, but I do.

I’ve asked a talented, professional longarm quilter to quilt for me. This piece deserves better quilting than I can do myself.

In the meantime, I have plenty of other things to work on!

 

Ohio Red and White Medallion, Progress

As discussed before (here and here,) I’m creating a quilt inspired by a historical work held by the International Quilt Study Center & Museum. You can find the inspiration quilt here. And you can find more information about it here.

I’m not reproducing the original quilt, but trying to honor it and its maker. In so doing, I’m changing some aspects of the design. The size is somewhat smaller than the original, as mine will finish at about 68″ square, while the original is listed as 79″ x 81″. Also, I don’t have a pattern so my proportions are somewhat different as I estimate from the photo. And I’m changing the center block and corner blocks, while maintaining the feel of the original.

Because of the construction challenges this project offers, I’m building it in parts. Here is a photo of the “parts” so far, laid out on my beige studio carpet. The places where the carpet shows are where more parts are needed, such as for the big corner blocks.

20170305_181822

Because the center block is appliquéd, I’ll finish it before adding any borders. (Nope, it’s not done yet. Today Jim helped me decide the final design for it. He really is the best consultant, as he tries things I don’t think of. Those little squares on point? That was his idea.)

If you’ve ever used traditional piecing to make long strips of triangles for a border, you know it is fraught with lots of opportunity for error. I used my new paper piecing skills to make mine. While the process is slow and fussy, and wastes fabric and thread, it is easy enough and created borders I’m really happy with. I’ll take the waste and the pace in exchange for the quality.

For those corner blocks, I’m considering including my initials in one and the year in another. However, that leaves two more blocks and I’m not sure what to use in them. Any ideas?

I’m really excited about this quilt, as I’m able to honor an amazing piece of art that’s 200 years old, and its artist, while contributing my take on the design and incorporating some new-to-me techniques.

Ohio Red and White Medallion, Center Block

As mentioned in my last post, I’m creating a quilt inspired by a historical work held by the International Quilt Study Center & Museum. You can find the inspiration quilt here. And you can find more information about it here. I don’t intend to reproduce it exactly, but to honor it.

The center block of the quilt is quirky and complex. I found the inspiration quilt more than a month ago and have spent much of that time pondering its construction. The sizing of components and the technique to use for them both present challenges. (And opportunities!) On first glance it looks mostly pieced, but I decided that appliqué would be my primary technique. I’m not very experienced with appliqué, so thinking it would be “easier” gives you a notion of how the piecing would go.

And because I don’t appliqué much, I tried multiple methods before settling on raw edge fusing, with a button-hole stitch to seal the edges.

Here’s the block so far, with more detail to come. It is surrounded by the hourglass blocks that border it a little later. I have a ways to go yet, but I’m really happy with it and its resemblance to the historical quilt.

20170226_181755

 

Ohio Red and White Medallion, 1800-1820

My adventures with the Delectable Mountains quilt, currently on my longarm frame, were inspired by a photo found at the International Quilt Study Center & Museum. During the same expedition in which I found that, I found another quilt from the early 1800s that is a bit more my style.

The IQSCM has a confusing policy sheet for sharing their photos. Though the quilt is 200 years old and therefore is not protected by copyright laws, and the design, regardless, is not protected, the quilt is owned by the museum, and the photo was taken by someone. They have the rights to the photo; I do not. And since I don’t understand their policy, I will share a link to the photo, rather than the photo itself. You can find the inspiration quilt and more information about it here.

As it says in the title to this post, this quilt was made in the early 1800s, possibly in Ohio. It is made from two fabrics that currently appear to be a brown print and a creamy white, likely an unbleached muslin. The brown may have been a different color when it was made. The quilt size is 79″ x 81″.

I’m using this quilt as inspiration for a red and white quilt of my own. It is not a reproduction; I won’t use similar fabrics and it will be somewhat smaller. Some of the appliqué elements will be different than on the original. This EQ7 image approximates the whole design. I wasn’t able to draw either the center or the outside corner blocks as on the original quilt, but they will be more similar to the original than you see below.

ohio-1800-to-1820

All the construction will be pretty simple, with the exception of the center block. The very center is a variation of a LeMoyne star, with extra points set on top of a base. The straight red lines in the center may be most easily made with appliqué, too. So even some things that begin as pieced, or appear as pieced, will be appliquéd.

At this point I have the hourglass border blocks made. (I love making hourglass blocks.) Once I get some progress made quilting the Delectable Mountains, I’ll come back to tackle the center block.

When finished, I hope to exhibit this quilt in my local guild’s show in early June.