I’ve slowed the drawer review (here and here) while working on other things. But it’s a useful exercise for me, uncovering some works in progress I’d stalled on, at the least, or forgotten completely at the worst.
One of the things I’d forgotten was a stack of 9-patch parts in red and light/neutral. They made up seven blocks, which is a difficult number to use by itself. Nine-patches are pretty easy to emulate, though, so last week I made another ten of them using different reds. I still had some of the light fabric, but not enough for ten more blocks, so I subbed in a couple of things that blend well. Besides the 9-patches, I made a set of 18 hourglass blocks. The hourglass blocks and 9-patches now alternate in a 5×7 block setting. With a border, they made up a perfect top for another VA hospital quilt. I’ll finish it in January for donation through my guild.
Besides the VA hospital quilt using those orphaned patches, I’m also working on an art quilt, which is also a medallion quilt. Or it’s a medallion quilt that also is an art quilt. No photos now, as I’m still feeling protective, but I’m quite pleased with it so far.
Back to the drawer review. As mentioned before, under my cutting table I have three plastic drawer units on casters. Each unit has three drawers. Over this past year when I’ve needed to mimic order in my studio, I’ve stuffed a lot of things in those drawers. It clears the surfaces, which helps me creatively! But truly it just moves the mess elsewhere, doesn’t it?
I already showed you Drawers 1 through 7. They held a broad range of things, from scraps and parts to plastic zip bags, to some intriguing projects in process.
Drawer 8 mostly holds faded intentions and motivations, along with a lot of fabric that needs to be sorted back into the stash bins. A friend of mine, Kristin, lived for several years in Wales. While there she fell in love with Welsh quilts. They are notable for the amazing hand quilting on both pieced and wholecloth quilts. Though often not made from solids, the pieced quilts are often compared to American Amish quilts, and it’s not clear, historically, to what extent designs were shared and in what direction. Many of the Welsh pieced quilts are in the medallion (or “frame”) format, so they hold extra attraction to me.
Kristin will be presenting to our local quilt guild soon about Welsh quilts. As she shared some of the information with me early in the year, I got inspired to try making quilts in the same style. I even bought this lovely book on making them. As you can see from the cover, many of the designs are for medallions. And while I love the rich, deep colors you see here, I also wondered about making them with brighter, cheerier colors.
A mixture, I thought, of greys with pinks and yellows would keep some of the traditional flavor, while also demonstrating that the format is beautiful regardless of colors used. But I also was taken with the Welsh tradition of using shirtings and suit woolens. I went to a local thrift shop and bought several shirts, including in pink gingham and yellow floral print, to use. I made one lovely little quilt (to show you another day) before losing energy and motivation. Now the fabrics, including some blacks and reds, need to be sorted back into stash.
Drawer 9 The final drawer is where I stuffed the Green Man drawings. This is another project I hope to return to in 2020.
Now that I know what is in these drawer units, I can put some things in better places, and make a list of ongoing projects. Knowing what’s here will help me use my time better, so I can create in more satisfying ways.