Tag Archives: Work in process

A New Plan for an Old UFO, Part 2

Where I left you last time was having solved the problem of setting the star points into background fabric without using Y-seams. I also showed you an idea for a quilt design using log cabin blocks. It’s pretty, but I really have no interest in making it.

This is where it is so far. At this point it finishes at 54″ square. 

The question is, what to do next? Often I begin a quilt with a center and two or three borders, designed in my mind and with scratch paper, and made directly. When it’s time to add more borders, I often switch to EQ7 for design help. It gives the advantage of trying out ideas without making them. With unlimited iterations possible at virtually no cost, there is not much downside. I did the same for this one.

Here are a couple of options, drawn in EQ7.

Original design in EQ7, 82″ square.

Original design in EQ7, 93″ square.

I like them both, but I have a pretty good idea which direction I’ll go with it.

Mountains Coming Into View

My Delectable Mountains quilt is coming along well. I have the “mountains” pieced for the second set. Next is trimming those half-blocks and filling outside of them with the double pink setting fabric. Then I can trim the center to size and attach the DM borders with corner blocks.

What is “double pink”? From the Quilt Index Wiki page:

Double pinks, sometimes called ‘cinnamon’ pinks, feature tiny prints in a dark, cinnamon-like pink, on a light rosy pink ground. Both of these hues have warmer undertone than bubblegum pink, which emerged as a quilt fabric, often as a solid rather than a print, in the twentieth century. Double pinks were most popular in the 1860s, ‘70s, and ‘80s, though double pinks are common in quilts through the 1920s. At the height of their popularity in the mid-nineteenth century, double pinks were often paired with madder or chocolate browns in quilts.

In the image below, the dark pink triangles on the outside edge are double pink. The center of the center block also is considered a double pink, even with its more complex pattern.

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Half blocks set in place but not sewn on yet. They need their double pink setting fabric first, as well as corner blocks.

The color combination, as it says above, was most popular in the mid-1800s. Most of the images of Delectable Mountains medallion quilts in the International Quilt Study Center & Museum index are from before 1850. So the colors are slightly anachronistic, but I think they still suit.

The Game’s Not Over!

Nope, we’re at the beginning of the fourth quarter, and there’s a lot of time to make a difference. What adjustments will you make to your strategy so you end the year with a win?

(Remember when we were in high school and learned about “stream of consciousness” writing? I don’t usually write that way — it can be hard to follow. But it’s been a long time since I wrote anything new here at all, so we’re gonna go with it…) 

After finishing four pieces at the beginning of August, and then heading out of the country for almost three weeks, I’ve been in a lull for both making and writing. It happens. And I don’t mind. The spell always breaks after a while, and I get revved up again.

One of my intentions this year was to make some quilts for the local VA hospital. My guild distributes some of our 200ish donation quilts a year there. They have a preferred size, approximately 48″ x 60″, and of course recipients are adults, so not all of our members’ contributions suit it. But I don’t much like making baby quilts or little kids’ quilts, as many people do. And with Son in the military, I’d rather make for the vets.

Last week I began by pulling all the dusky teals in my stash. To pair with them, I picked light fabrics with a golden or tan cast. Deciding on block size was … annoying. With 48″ x 60″, 6″ blocks work well (8 blocks by 10 blocks.) Note, though, that requires making 80 blocks. Also when making block quilts with an alternating block, I usually prefer odd numbers of blocks, such as a 7 block by 9 block layout. That allows the blocks to alternate in a balanced way.

Then there are the decisions about using a border or not, and if so, what fabric do I have enough of already in stash? Well, NOTHING. I have NOTHING in stash, to go with the teals, with enough yardage to make borders. Okay. No borders, just blocks.

Finally I decided on shoofly blocks to finish at 7.5″. With a 6 x 8 layout, the size would finish at 45″ x 60″, which works fine. That’s still even numbers, which affects the alternate blocks chosen. What works? Ones that have a diagonal line, such as half-square triangles. In fact, I considered other options but HST are simple and effective. I found a piece of toile just large enough (with some piecing) to make halves, and I pulled my old-fashioned rusty oranges for the other halves. (Some of those are pieced, too. I’ve gotten better at making the fabric work for me, as long as the area is enough. I CAN piece it together. I know how.) 

The picture below is blocks, before being assembled into a top. My overall standard for quilts is pretty simple: would I be pleased if someone gave it to me? The answer on this would be yes. The toile in the HST is paler than all the other lights used. One of the teals is pale, but doesn’t stand out as living in the wrong quilt. One of my teals has as much bronze as teal, and the bronze is what shows most in them. That’s okay with me, too, as it doesn’t stand out, either. And the HST with their strong contrast give great movement. (That’s why there isn’t a balance problem when using them as the alternate, when using even numbers in the rows and columns. The movement and strong line create their own balance.)

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What I don’t have is backing fabric or batting. On my list for a stop later today.  (Wrote that yesterday. I stopped at JoAnn Fabrics last evening before meeting a friend for dinner. Got the batting. Picked up three yards of fabric for the back. Had 50% off coupons for both. If this were really stream-of-consciousness, I’d go on about that, and about my favorite quilt shop closing soon.)

hmm… what was I saying about the fourth quarter? What else do you want to get done before year’s end? And how do you fit it all in? I’ve seen a couple of blog posts recently on that. One is from my friend Tierney at tierneycreates.com. She wrote about the seven habits of highly effective crafters, a crafty look at Steven Covey’s rules. It covers a lot more than getting projects done, but on that issue, the most relevant is putting first things first. In other words, decide on your priorities. What is most important is not always what seems most urgent. If there are things you want to finish by holidays, for instance, identify them now.

Lori at The Inbox Jaunt takes that a step farther. She recommends using a notebook to inventory projects. Once you know what you have, identify priorities and then list specific, small steps that need to be taken next, to move them along. (Do you quilt your own? Check Lori’s blog for seemingly unending resources for quilting designs and strategies.) 

At this point, I need to think about what I want to accomplish before year end. That will give me a way to identify priorities.

What’s left on your making list for the year? Will you get it all done? 

 

Busy July

I am good at many things, but I am not good at multi-tasking. For instance, I can make or I can blog. Doing both at the same time seems beyond my capabilities much of the time. In July, I was busy making but not blogging about it.

Early in the month I showed you my list. At the end of June I had four projects in process, and my goal was to finish them all before my guild meeting on July 11. By July 1, one of them was done. By July 11, three of them were done. Since then I’ve finished the fourth.

The only one I managed to blog about since finishing was my guild challenge project, Iowa In My Mind.

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Iowa In My Mind. Approx 31.5″ x 20″. July 2016. Photo by Jim Ruebush.

I still might blog about how the other three were finished, but life moves on and perhaps I will, too.

More Precious Than Diamonds

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More Precious Than Diamonds. 86″ x 90″. June 2016. Photo by Jim Ruebush.

Find more about Diamonds here and here and here. And here.

Moonlight Waltz

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Moonlight Waltz. 90″ x 90″. July 2016. Photo by Jim Ruebush.

Find out more about Moonlight Waltz here and here and here.

Untied

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Untied. 41″ x 47″. Hand-quilted. July 2016. Photo by Jim Ruebush.

Find out more about Untied here and here.


AND SINCE THEN?

Round Robin

Since July 11 I finished my small group round robin for another member. It was our last border pass, so my border presumably was the last border for her project. I also received my own in return. On Friday I quilted it. Sorry — no pix yet. I plan to donate it for my guild’s silent auction at our next quilt show.

Delectable Mountains

I love playing with triangles, and frankly I don’t do it nearly often enough. This month I chose to play with Delectable Mountains blocks created with half-square triangles. I do plan to blog about this but it might be a few days. Saturday I quilted this. I need to lengthen my binding by a few inches before attaching, but I hope it will be done this week.

Delectable Mtns on frame

Stacked Coins

I made the back, loaded, and quilted some stacked coins today (Sunday.) I made this mostly with scraps from the Diamonds quilt. With the angled cuts, scraps were icky shapes and I didn’t feel like putting them in my scrap drawer. So I cut strips from every piece I could. With adding a bit from my scrap drawer and a bit more from stash, I had plenty to create my strips. I LOVE strip quilts, so this was fun to make. Again, another blog post to come.

Stacked Coins on frame

The first half of my year was rather slow, so I guess I’m making up for it now.

Progress on All Those Projects

All of ’em! Yes, four projects actively in process, at least two more than I usually have, and I’m making progress on all fronts. Here’s where we started the other day:

    1. Untied. I’ve been hand-quilting this with a hoop for the center, and no hoop for the rest, which I can reach more easily. It’s been on hold for a couple of weeks, but the center is almost done and soon I’ll move to the outer borders. They should go a little more quickly. Update: the center is done and I’m working on outer borders. 20160328_092719
    2. Moonlight Waltz. The top is beautiful. I loaded it onto the frame with a back and wool batting. My longarm machine has had unreliable tension, but after testing extensively, I plunged ahead. It was awful. Rather than baby the project along, a few inches at a time, I stopped. I took my machine to the factory. Last week I picked it up. They installed a new tension assembly and a new shaft for the bobbin assembly. The price of repairs was very modest. Jim re-installed the machine. I removed the whole project from the frame and picked out the quilting I’d done. I’ll need to add a big test strip to the back before loading it on the frame again. Update: It’s back on the frame. I switched to a polyester batting, and I’ve completed one pass of quilting. So far so good… 20160701_092747
    3. Diamonds. I don’t have a good name for this yet, but it’s my most recent start. The top is done and the back is ready. I need to cut batting and make a binding. I will quilt this one before getting back to Moonlight Waltz. Update: it’s DONE! Quilted and bound, though I’ll admit, not labeled. (Ugh, the colors are so strong, I cannot get them to show right in photos! This looks really dull compared to the real thing.) OH! And the name — “More Precious Than Diamonds.”2016_0630Diamond (1)
    4. Testing. This actually is my highest current priority, and it is what I’m working on today. I put plain muslin on as backing and top fabric and used a scrap of polyester batting between. To evaluate the tension, I am using a different color of thread in the bobbin than on the top. I think it’s adjusted pretty well now, but the batting scrap is a different loft than I usually use. After a few more squiggles, I’ll switch to my usual brand and test some more. Update: testing went fine. I’ll continue to create test strips before starting quilts. But I’m hopeful now that my tension problems are much improved. 
    5. Local guild challenge. This year’s guild challenge is to create a quilt inspired by Iowa. “What does Iowa mean to you? Corn and prairie grass? The Old Capitol Building? Family and friends? In 2016, Iowa will be 170 years old and we thought we should show everyone what Iowa means to us through our quilts. There is no size or technique limit to this quilt.” This is a hard project for me because I can’t easily distill my thoughts and emotions into a design concept. However, while instant-chatting with my son one evening, he described the Iowa in his mind as he flew over early this year. I’m still working on how to incorporate his words. The challenge meeting is in July, so time is running out! Update: my concept is developing. I’ve chosen words, roughed out a wind turbine, stitched highway I-80 across the state, and determined how to paint fields. It’s moving along. 20160621_115949

While I’m not sure of timeline on all this, I’m making good progress and feeling like it WILL all get done! 🙂