Tag Archives: Center block

A Lot of Fun Stuff Going On

It’s been a while since I’ve showed you my current work. A couple of weeks ago I finished binding a project started last year. It was the one that made me tear my hair out, along with thousands of quilting stitches. It’s finished, but it’s for a loved one and I’d like to get it to her before showing it off here. Just in case.

If you’ve been a reader for a long time, you may have noticed (or seen me write) that I often don’t post about projects in their early stages. Mostly that’s because I don’t much like taking pictures, and it’s hard to describe a project without them! The project I’m working on now is much the same. I actually started it months ago, and now finally am getting around to posting. This time, however, it really still is in the early stages.

So what’s been done so far?

  1. made 112 flying geese to use in a strip quilt
  2. found and pieced together a long strip of border stripe, to use in said strip quilt
  3. changed my mind and decided to use the geese and the border stripe for a medallion quilt
  4. drew house block to center the medallion
  5. sewed house block
  6. embroidered embellishments on house block
  7. framed house block to stabilize it and standardize the size
  8. prepped border stripe (most of the way) to serve as the first showy border

I began the flying geese as I finished making Union. As mentioned before, I was still enjoying the double pinks and browns, and I wanted to combine them with reds, aquas, and teals. Since the fabric was still out, I started cutting pieces for the four-at-a-time method of making geese units, but I didn’t start sewing them until this year.

I’m not sure what inspired me to make a medallion with a house center block. I’ve always been charmed by folk art including early American embroidery samplers, which often featured houses or school buildings. Recently Barbara Brackman posted about quilts with yellow house motifs. Maybe that got me going. I also had a hard time imagining the strip quilt I originally intended. I couldn’t figure out the numbers of strips or what, besides the flying geese, to use. It seemed like it would be a lot more piecing than I wanted, and perhaps without a good enough payoff.

At any rate, I drew that house.

Sometimes the easiest way to do things is the old-fashioned way, and here graph paper and pencil worked just fine.


I’ll show you what happened from there next time. Before that, the title of this post might merit some explanation. There IS a lot of fun stuff going on, which is good, since one of my primary intentions this year is to have fun.

I’ve had lots of RPT (Real People Time) already this year, and a lot more coming up. On Thursday I’ll have lunch with a dear friend from grad school. She and I lost touch several years ago, and it will be a treat to catch up.

Guild stuff keeps on comin’! Between the presidenting and committee-ing and bylaw reviewing, there’s always enough to keep me busy. Besides that, I decided to go to the three-day retreat in mid-February. That means I have to FIGURE OUT WHAT TO TAKE to keep me busy for three day!!! ACK! So much fun! 🙂 (Imagine that smiley face with a slightly crazed look to the eyes.)

I’m also doing things in my non-guild quilty life that are new and different, but things I’ll wait to explain. Could be a crazy year with that, too.

I updated the blog a bit, gave it a little fresher look. My galleries are finally up-to-date, after languishing without much care for too long.

And then the other personal stuff, including travel coming up. We have four trips pegged already this year and forgive me for hoping that’s all we do!  But really, Son’s wedding? FUN! Granddaughter’s graduation? FUN! And a couple of trips for fun? FUN!!

Okay. That’s enough for this time. I’ll show you more of my house project in the next post.

 

Advertisements

Class Quilts

My medallion class began last week! In class I help lead participants through the process of designing their own medallion quilts. And while they create, I do, too.

In the few weeks we have together, while each of them is making one quilt, I design and construct two. I start with very different centers and color schemes in order to demonstrate a variety of strategies.

The first one I began has a center block that features flying geese circling a star. The block design came from the Big Book of Scrap Quilts, published by Oxmoor House in 2005. The quilt pattern is called “Dizzy Geese,” designed by Joan Streck. Dizzy Geese is a block quilt, with a 17″ block made with templates.

I re-drew the block to 16″ and paper-pieced it.

Though I’ve made quilts in reds and greens before, I haven’t made one I’ve thought of as a Christmas quilt. This one will have that intention, but I’d still like to keep it lighthearted. I’ll minimize the holiday-focused prints, but refer to the occasion through shaping. For instance, the circling flying geese give the impression of a wreath.

With the intricate center, I wanted a simple first border, but one that would extend the range of color. Because the star points are a forest green print, I chose a citrus green for the border. The corner blocks add to the gold, found in the center’s green print and in its background fabric.

The second border was fun and easy to make. Take a look. The corners are just half-square triangles. The side blocks are each made of three pieces and all the blocks are same. Their orientation gives the look of a twisting ribbon as they circle the top.

And the third border is a plaid with dark green, dusky gold, and burgundy, with bright gold corners. I don’t love the dark plaid, for various reasons. But I think it will serve its purpose as the design develops. It’s easy to get hung up on individual elements, such as the color or shapes or value of a particular border. Just as you don’t have to love a particular block to have it work well in a block quilt, you don’t have to love a particular border in a medallion quilt. Every border changes every border, and it’s the final effect that counts.

I have tentative plans for the next borders, but won’t work on this more until next week.

The second quilt begins with a bear’s paw block in the center. I’m less certain of the direction for this one. I really like the center block, with its beautiful Julie Paschkis print in the large sections. And I love the batik that surrounds the block. I am not absolutely sure they work together. However, some patience is in order as I let the process play out. (Trust the process.)

Though I rarely work on two quilts in the same stage at the same time, the chaos is kind of exciting, too. We’ll see if I still feel that way in a couple of weeks. 🙂

Turning a Block On Point Twice

Friday Jim and I drove down the Mississippi River from La Crosse, WI. We were returning from a two week trip to see our son, who lives in Washington state. With 2,000 miles behind us on the train, it felt great to switch to our own car.

In Prairie Du Chien, WI, we stopped for lunch. On one wall of the diner hung a quilt with a patriotic theme. It was a medallion quilt, centered by a stylized American flag. The flag block was turned on point twice, emphasizing its importance and creating a nice, large center.

I liked the setting, and especially liked that a non-square rectangle was turned that way. It’s a setting I haven’t used myself.

I’ve written plenty about turning large blocks on point to center a quilt. In one post I described the types of blocks suited for an on-point setting, if it is only turned once. In another I showed how to do that, with the math needed to cut your setting triangles large enough. I’ve also written about turning small blocks twice, creating an “economy block.”

But I’ve never written about turning a larger rectangular block twice. Here are some cool things I learned about it.

*~*~*~*~*

The Part I Already Knew
If you turn a square block twice, you’ll double its dimensions. Consider an example of a 15” block. Turn it twice with an exact (not over-large) setting, and you will create a block that is 30” wide. Using the math for diagonals,
15” x 1.414 = 21.21”.

Now turn it again:
21.21” x 1.414 = 30”.

This block setting is often called an “economy block.” It’s an especially effective way of highlighting a small centerpiece, such as a special or fussy-cut piece of fabric.

Economy block setting – a square turned on point twice.

The Part I Didn’t Think About Much, But Probably Knew, Too
As it turns out, you can do this with non-square rectangles, too.

Non-square rectangle, squared first with unequal triangles, and again with equally-sized ones.

The Part I Didn’t Know, And Figured Out Last Night
The size relationship for both types of blocks can be generalized, and is far easier than multiplying by 1.414. If the length of the inside shape is A, and the width of the inside shape is B, the distance across the diagonal of the interior square is A+B. That means the length of the exterior square is A+B.

In the economy block example above, the interior square is 15”.
The resulting block is 30” square, or 15” + 15”.

In the second example, if the interior blue rectangle is 12” x 18”,
the resulting block is 30” square, or 12” + 18”.

The next time you want to frame a rectangle with setting triangles, remember how easy it is to determine the finished size. Length plus width of the interior rectangle (square or not!) is the width of the resulting square.

Ain’t math fun? 🙂

Medallion Quilt Rules

Each year my local guild has a new challenge, and I’m excited about this year’s! The current challenge is to create a medallion quilt. Though I won’t enter, I’m looking forward to seeing the entries and hearing from members as they create their pieces.

We just started our guild year this week, and it will close out in July with display and judging of these quilts. To help my fellow members move through the process, and also to help and inspire others who want to make medallions, I’ve decided to republish some of my prior posts. The best place to start is the beginning, right? Below you’ll see the fundamental rules of making a medallion quilt.

Show Me More…

A New Plan for an Old UFO

I’ve often boasted about not having many UFOs (UnFinished Objects, or quilt projects that haven’t been completed.) Why that would be something to brag about, I’m not sure. But it’s true, usually I finish what I start.

There is one long-time UFO, started several years ago.

There were multiple reasons for not proceeding with this. One issue was technical — I wasn’t sure how to do the Y-seams to set the points in a background. (Above they are not sewn together, just arrayed on batting to show them.) Another was that, once set, I didn’t have a good idea of how to show them off.

Almost four years ago I posted More of an Idea than a Plan. In it I showed one option for setting these star points.

I didn’t do this. I still like the idea, but I’m really not interested in making those log cabin blocks. Also, it turns out that the center resulting from the star points is bigger than I thought. Adding all those log cabin borders would make this a fairly humongous quilt. If that weren’t enough, I still didn’t know how to set the star points in background fabric.


Recently I got the star points out again. It turns out you can avoid using Y-seams if you extend the points with background fabric. The blue lines below illustrate the extra seams. The star block has six big segments, each consisting of a star point and two pieces of background fabric. Put together two star halves, and then stitch the long seam to create the whole block. Easy peasy.

The constraint I faced was not having quite enough background fabric. If you look again at the block above, you can see that the star itself is not the same width as height. The star points do not extend all the way to the sides. To make the block square, it requires “enough” background fabric to make the height and width equal. I didn’t have quite enough.

That gave me the next opportunity for problem solving. The easiest two ways to make a center square are to 1) trim it to square or 2) add borders to make it square. I had nowhere to trim; adding borders of different widths was the best choice.

The photo below shows my solution. To all four sides, I added borders of floral print on cream background. The top/bottom borders are narrower than the left/right borders.

The one-inch strip border in coral encloses all that and creates the illusion of uniformity. At least, for me it helps make the width differences disappear. That strip takes the center to 42″ finished.

The final border so far uses 4-patches on point for the edges, and broken dishes in the corners. I’ve talked before about using “easy” widths for borders, to make them divide into square blocks. This works even with blocks on point. With an edge of 42″, I divided it into 7 equal segments to have a 6″ border. 42″/7 = 6″.  Then I used the math of diagonals to find the correct block size. 6″/1.414 = 4.25″. Each of the 4-patches is a 4.25″ block. When set on point, they make a 6″ wide border.

It isn’t magic, and it isn’t mysterious. It’s just math. If I didn’t know all that and still wanted to use blocks on point, I could have made them any size and simply had them not fit perfectly. AND THAT IS OKAY!! And TRADITIONAL!!

Alrighty. This post is too long already. I’ll finish it soon with showing you a couple of options for the remainder of the quilt layout.