Tag Archives: Medallion quilts

Ohio Red and White Medallion, Fire and Ice

It’s been rather a slog, but I’ve finally finished the top of this quilt.

Fire and Ice. Unquilted top. Approx 68″ x 68″. Based on IQSC Object Number 1997.007.0797 from the International Quilt Study Center & Museum, a quilt from 1800-1820. March 2017

In general, construction was pretty simple. The delays came in decision-making, especially for the corner blocks. After originally considering making each corner different and including my initials and the year, I decided to make them the same. My first impulse there was to use Ohio Stars. I thought this would work well for style, and it would be a reference to the IQSCM’s belief that the original quilt may have been made in Ohio. I made a test block with an Ohio Star and wasn’t happy with it. I liked the way the star points repeated the hourglass construction of the first big border. However, somehow it just looked like too many small pieces.

After trying a few other designs in EQ7, I chose the modified variable star to center my blocks. It actually uses the same shapes as the Ohio Star but in different proportions. As I said to Jim, I can’t define why I like it better, but I do.

I’ve asked a talented, professional longarm quilter to quilt for me. This piece deserves better quilting than I can do myself.

In the meantime, I have plenty of other things to work on!

 

Ohio Red and White Medallion, Progress

As discussed before (here and here,) I’m creating a quilt inspired by a historical work held by the International Quilt Study Center & Museum. You can find the inspiration quilt here. And you can find more information about it here.

I’m not reproducing the original quilt, but trying to honor it and its maker. In so doing, I’m changing some aspects of the design. The size is somewhat smaller than the original, as mine will finish at about 68″ square, while the original is listed as 79″ x 81″. Also, I don’t have a pattern so my proportions are somewhat different as I estimate from the photo. And I’m changing the center block and corner blocks, while maintaining the feel of the original.

Because of the construction challenges this project offers, I’m building it in parts. Here is a photo of the “parts” so far, laid out on my beige studio carpet. The places where the carpet shows are where more parts are needed, such as for the big corner blocks.

20170305_181822

Because the center block is appliquéd, I’ll finish it before adding any borders. (Nope, it’s not done yet. Today Jim helped me decide the final design for it. He really is the best consultant, as he tries things I don’t think of. Those little squares on point? That was his idea.)

If you’ve ever used traditional piecing to make long strips of triangles for a border, you know it is fraught with lots of opportunity for error. I used my new paper piecing skills to make mine. While the process is slow and fussy, and wastes fabric and thread, it is easy enough and created borders I’m really happy with. I’ll take the waste and the pace in exchange for the quality.

For those corner blocks, I’m considering including my initials in one and the year in another. However, that leaves two more blocks and I’m not sure what to use in them. Any ideas?

I’m really excited about this quilt, as I’m able to honor an amazing piece of art that’s 200 years old, and its artist, while contributing my take on the design and incorporating some new-to-me techniques.

Ohio Red and White Medallion, Center Block

As mentioned in my last post, I’m creating a quilt inspired by a historical work held by the International Quilt Study Center & Museum. You can find the inspiration quilt here. And you can find more information about it here. I don’t intend to reproduce it exactly, but to honor it.

The center block of the quilt is quirky and complex. I found the inspiration quilt more than a month ago and have spent much of that time pondering its construction. The sizing of components and the technique to use for them both present challenges. (And opportunities!) On first glance it looks mostly pieced, but I decided that appliqué would be my primary technique. I’m not very experienced with appliqué, so thinking it would be “easier” gives you a notion of how the piecing would go.

And because I don’t appliqué much, I tried multiple methods before settling on raw edge fusing, with a button-hole stitch to seal the edges.

Here’s the block so far, with more detail to come. It is surrounded by the hourglass blocks that border it a little later. I have a ways to go yet, but I’m really happy with it and its resemblance to the historical quilt.

20170226_181755

 

Better?

No one was very thrilled with my Delectable Mountains quilt top, including me. As I said the other day, it was pretty but not very interesting. In particular, others commented on the large amount of double pink, and how the corners in pink seemed large and unbalanced.

20170207_114451

Delectable Mountains design, most popular in the 1840s – 1870s. Color combination of double pink and brown popular during same years. Unquilted top. Approximately 61″ square.

I defended the design as traditional, and not something I was inclined to mess with. However, some DM quilts from the 1800s had stars in the corners. After consideration, that seemed like an appropriate way to break up the pink expanse, brighten the whole, and add some interest.

I built corner blocks using the variable star. The background fabric is the same as used in the center star, and the brown is the same as the one surrounding the center. It is slightly softer in appearance than the brown of the middle border and HST border.

Surgery required removing stitches that held the double pink corners in place. Then I pinned in one seam at a time and re-stitched. It was a pretty easy process as my new star corners matched the size well.

Here is the amended quilt top.

20170210_090629

Delectable Mountains with star corner blocks. Unquilted top. Approximately 61″ square.

I think it’s better. It is brighter, and there is more to look at. But I still don’t think it’s very interesting.

Either way, I’m done with the top now. And I don’t plan to make the design again in red and white.

Mountain Top

Well, my Delectable Mountains quilt top, in  pink and brown, is done.

20170207_114451

Delectable Mountains design, most popular in the 1840s – 1870s. Color combination of double pink and brown popular during same years. Unquilted top. Approximately 61″ square.

My purpose in making it was to learn how to make it, having been inspired by photos of antique quilts in similar designs. I think it is very pretty, and will be more so once quilted and edged with a brown binding.

I do not, though, think it is very interesting. My original plan was to make this version as a lesson, and then make it again in red and white. Now I’m not sure if I want to do that.

Honest opinions? If you had done it, would you have done things differently? As long as you’re not mean (and I trust you won’t be,) you won’t hurt my feelings.