Tag Archives: Fun

quilting is so much fun…

right?

I mean, who wouldn’t have fun stitching a picture into a quilt, with the top tension looking GREAT!! and the bottom tension looking like heck? Who wouldn’t love to do that??

Even more, who wouldn’t want to spend much more time picking stitches than putting them in?

SO MUCH FUN!!

 

How’s you quilting going today? Are you having fun? What are you working on? I’d love to hear about it in comments.

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Medallion Quilt Rules

Each year my local guild has a new challenge, and I’m excited about this year’s! The current challenge is to create a medallion quilt. Though I won’t enter, I’m looking forward to seeing the entries and hearing from members as they create their pieces.

We just started our guild year this week, and it will close out in July with display and judging of these quilts. To help my fellow members move through the process, and also to help and inspire others who want to make medallions, I’ve decided to republish some of my prior posts. The best place to start is the beginning, right? Below you’ll see the fundamental rules of making a medallion quilt.

Show Me More…

Distracting Myself With Drawing Quilts

It was another rough news week, wasn’t it? Between threats of nuclear war with North Korea, the possibility of invading Venezuela (and WHY?? I keep up pretty well and haven’t been able to figure this one out,) and the disgusting display of American Naziism in Virginia over the weekend, I’ve practiced distraction a lot.

I’ve been quilting my big 6-pointed star quilt in pink and brown, too. I posted a handful of pix in Instagram, but nothing here. I have it about 75% done, but it is now off the frame, as I’ll turn it to do the last two sides. (Because I’m doing “custom” quilting, and treating each section differently, the borders are easier to do in one pass. If I turn the quilt 90°, I can do the sides that way, rather  than in pieces as the quilt rolls from one end to the other. If you didn’t understand what I just said, don’t worry… 🙂 )

Besides that, I’ve been thinking about my upcoming class. I will make one quilt to feature in the shop’s marketing. I’ll also make two quilts along with my students. But I also will draw several more, to show them examples of how they might use simple blocks and unpieced borders to create an intricate design.

Here are a few. All of them will create a quilt finishing 60″ square. The center block for each is the same size, and the border widths are the same sizes. They all use the same blueprint.

I’ll start with a re-do of the white and bright one from the other post. This preserves the flavor but simplifies it quite a bit.

Next are two that also use spacer blocks in the final border.

And two more that have more traditional block placement in the final border.

These were fun to create, and served well to keep my mind off some less happy topics.

An Ode to Half Square Triangles

It’s time to dust off an old post (January 23, 2015) and replay it for those who missed it.

An Ode to Half Square Triangles

How do I make thee? Let me count the ways.
I cut thee to the depth and breadth and height
Seven-eighths of an inch greater than finished
And then cut across the diagonal.
I make thee to the level of the HST ruler
Available from Fons & Porter and others.
I make thee with Thangles, stitching through the paper.
I make thee in sets of eight, filling me with praise.
I use thee with the passion putting you to use
In my old UFOs, and with my next children’s quilts.
I love thee with a love I seemed to lose
With my lost senses. I love thee with the breath,
Smiles, tears, of all my life; and, if fates choose,
I shall but love thee better after quilting.


And the inspiration:

How Do I Love Thee (Sonnet 43)
Elizabeth Barrett Browning (1806-1861)

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.

Still Climbing Mountains

Last year I had fun making a medallion using big prints. (If you click on the photo, it will open in a new tab.)

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The Mountain. 60″ square. November 2015. Made from stash. Photo by Jim Ruebush.

It was a challenge for me, because big prints tend to mute contrast. I like strong contrast and the sharp edges it reveals. I named the quilt “The Mountain.” In the linked post, I said this about the name, “I am not sure why the name came to me, other than that I have been climbing and climbing, mentally and physically and emotionally and artistically, and now I feel like I’m finally getting somewhere, though of course I’ll never reach the peak.” To see more about the design process, click here.

Early this year I saw a quilt top on this site that also merged big prints, but in a completely different way. (I didn’t link the quilt top itself, because the photos disappear when she has sold the tops. And I won’t copy her picture, because it is her picture. However, as of writing this, the top appears in the set of tops over $100.)

I thought about how to make a similar quilt and make it my own. This was the result:

Zigzag

Still Climbing Mountains. 57″ x 64″. August 2016. Made from stash. Photo by Jim Ruebush.

The name, “Still Climbing Mountains,” is for three reasons. First and most importantly, the block style used is called “Delectable Mountains.” Second, I am still climbing! And third, it reminds me of The Mountain because of the big prints.

In truth, though, there are all kinds of fabrics in this quilt. They range from solids and tone-on-tone, to very large prints. There are batiks and traditionally printed fabrics, ethnic-ish designs and geometrics and Civil War repros. The fabrics were purchased over many years from local quilt shops and large retailers. Browns, teals, rusts, olives, and tans, I just kept pulling fabrics from stash until I had enough.

There are 48 blocks in a 6 x 8 layout. If you look at the photo above, they are arranged by value. The first column (left to right) is very dark and medium dark. Column 2 is medium dark and medium light. Column 3 is medium light and medium dark. Columns 4-6 reverse the order to finish with very dark.

Construction was amazingly simple. I began by making 48 half-square triangles that would finish at 9.5″. That is a weird number, but the unfinished size is 10″. (I cut squares of fabric at 10 3/8″. I cut them on the diagonal and then stitched HST from them. If you cut oversized and then trim, you would trim to 10″, so a finished HST would be 9.5″.)

Each HST then was sliced into 4 segments of 2.5″ by 10″. The segments are rearranged and sewn back together. The new block finishes at 8″ x 9.5″.

hst sliced rearranged

The coolest thing was how each block transformed as it was rearranged.
Del Mtn blocks in process

Assembling the top was easy, too. I assembled each of the six columns, being careful to match them in the one place where the jags fit together. When sewing the columns together, you only need to match the block corners, because that is the only place where contrast shows. In fact, though I’m usually pretty careful in my construction, this was a really forgiving quilt top! My blocks were not all exactly sized and my within-block seams didn’t match up, and believe me, there is no way to see any of that! It was fun and fast — the hardest part was picking the fabrics, and I’m not kidding.

This is one of four quilts I finished in August. September will be a lot lower output for me, so it was nice to mark some finishes.