Tag Archives: EQ7

A New Plan for an Old UFO, Part 2

Where I left you last time was having solved the problem of setting the star points into background fabric without using Y-seams. I also showed you an idea for a quilt design using log cabin blocks. It’s pretty, but I really have no interest in making it.

This is where it is so far. At this point it finishes at 54″ square. 

The question is, what to do next? Often I begin a quilt with a center and two or three borders, designed in my mind and with scratch paper, and made directly. When it’s time to add more borders, I often switch to EQ7 for design help. It gives the advantage of trying out ideas without making them. With unlimited iterations possible at virtually no cost, there is not much downside. I did the same for this one.

Here are a couple of options, drawn in EQ7.

Original design in EQ7, 82″ square.

Original design in EQ7, 93″ square.

I like them both, but I have a pretty good idea which direction I’ll go with it.

A New Plan for an Old UFO

I’ve often boasted about not having many UFOs (UnFinished Objects, or quilt projects that haven’t been completed.) Why that would be something to brag about, I’m not sure. But it’s true, usually I finish what I start.

There is one long-time UFO, started several years ago.

There were multiple reasons for not proceeding with this. One issue was technical — I wasn’t sure how to do the Y-seams to set the points in a background. (Above they are not sewn together, just arrayed on batting to show them.) Another was that, once set, I didn’t have a good idea of how to show them off.

Almost four years ago I posted More of an Idea than a Plan. In it I showed one option for setting these star points.

I didn’t do this. I still like the idea, but I’m really not interested in making those log cabin blocks. Also, it turns out that the center resulting from the star points is bigger than I thought. Adding all those log cabin borders would make this a fairly humongous quilt. If that weren’t enough, I still didn’t know how to set the star points in background fabric.


Recently I got the star points out again. It turns out you can avoid using Y-seams if you extend the points with background fabric. The blue lines below illustrate the extra seams. The star block has six big segments, each consisting of a star point and two pieces of background fabric. Put together two star halves, and then stitch the long seam to create the whole block. Easy peasy.

The constraint I faced was not having quite enough background fabric. If you look again at the block above, you can see that the star itself is not the same width as height. The star points do not extend all the way to the sides. To make the block square, it requires “enough” background fabric to make the height and width equal. I didn’t have quite enough.

That gave me the next opportunity for problem solving. The easiest two ways to make a center square are to 1) trim it to square or 2) add borders to make it square. I had nowhere to trim; adding borders of different widths was the best choice.

The photo below shows my solution. To all four sides, I added borders of floral print on cream background. The top/bottom borders are narrower than the left/right borders.

The one-inch strip border in coral encloses all that and creates the illusion of uniformity. At least, for me it helps make the width differences disappear. That strip takes the center to 42″ finished.

The final border so far uses 4-patches on point for the edges, and broken dishes in the corners. I’ve talked before about using “easy” widths for borders, to make them divide into square blocks. This works even with blocks on point. With an edge of 42″, I divided it into 7 equal segments to have a 6″ border. 42″/7 = 6″.  Then I used the math of diagonals to find the correct block size. 6″/1.414 = 4.25″. Each of the 4-patches is a 4.25″ block. When set on point, they make a 6″ wide border.

It isn’t magic, and it isn’t mysterious. It’s just math. If I didn’t know all that and still wanted to use blocks on point, I could have made them any size and simply had them not fit perfectly. AND THAT IS OKAY!! And TRADITIONAL!!

Alrighty. This post is too long already. I’ll finish it soon with showing you a couple of options for the remainder of the quilt layout.

Medallion Process — Final Borders

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Unnamed top. About 71.5″ x 71.5″. January 2017.

Last weekend I finished this quilt top. I’ve shown you some of my process along the way, through the flying geese middle border. The geese border needed to be contained and balanced. Putting the orange and hot pink edge both inside and outside does that.

That decision was made before we traveled for the holidays. While gone I worked on designing the final border.

Remember the purposes of middle and outer borders are to

  1. build the story by repeating and varying earlier elements such as color, value, shape, line, and contrast; contributing to a motif or theme; and
  2. correct problems with balance and proportion; and complete and unify the composition.

I used EQ7 to try design options. If you ever think that designing with software is cheating somehow, let me assure you it is not. I spent many hours, trying literally dozens of designs, before choosing what you see above. One option that made the finals was a border of variable stars on point. Those variable stars, in fact, are what inspired me to begin this project, so it was hard to let them go. The star proportions are the same as the variable star in the middle of the Carpenter’s Wheel center block, so would echo it. (The EQ7 drawing below uses a different version of the center block than I used. See the photo above.) The on-point setting also repeats the 4-patches’ setting in the first border. Another benefit is the ability to use all the colors again in a natural way.

carpenters-wheel-with-stars

Pretty, yes? But I like the boldness of the components that come before, and the stars are small and the detail gets a bit lost. To me the design did not seem well balanced or fully unified.

Long ago I played with a number of quilt designs, which used a repetition of a center block motif in the corners of both an inner and an outer border. Here’s one example (and see more here and here.)

wraparound corners 4

I tried this idea in a variety of ways, and I liked the direction it was taking. I chose corners the same as the corners of the center block. They are the same size, and the pinks are the same fabrics. They made sense, continuing the floral motif and unifying the design in ways the variable stars did not.

However, with all the blank space between those corners, it didn’t balance well with the busyness and boldness of the flying geese. What it needed was more.

Next I tried more. I tried adding a flower variation in the centers of the border. Several iterations of that later, I stopped with my final choice. But still it looked too bare.

Once the chain blocks, made of double 4-patches, were added, I stopped. The 4-patches repeat the inner 4-patches. The chains’ stair-stepping shape also imitates the line of an on-point setting. Finally, they present the notion of floral stems or vines, or even swags, very traditional ways to border a medallion.

I have fabric for the back and will quilt it soon. I’ll show you final photos then.

Playing Today

My word for the year is PLAY! While I generally enjoy my creative time, some is more playful than others. Today I’ve played at two things so far. Both are designs.

Last evening I googled images for “urn flowers applique“. One of the images selected was an antique quilt done in only two colors, peach and white. (I couldn’t find out more about it. It had been a sale listing and the information was gone. No date, no name, no provenance.) The two colors formed a primary design as well as a secondary. I grabbed a piece of paper from the recycling bin and scribbled part of the design, enough so I could replicate it today in EQ7.

On analysis, it was done in 256 half-square triangles, in a 16×16 layout. The antique also included a peach inner border and a white outer border. My drawing below in blue and white skips the borders but includes a narrow white line to emulate the binding.

Binary Stars blue

Really cool, huh?

Here is a corner to show you the construction. Make the corner 16 times, and your quilt is ready for assembly.
Binary Stars blue 4 by 4

And since I was playing, I wondered how it would look in multiple colors. I love two-color quilts, but frankly I think this is a lot more interesting.
Binary Stars multicolors

And the corner for this one:
Binary Stars multicolors 4 by 4

Notice, if you will, that this design has absolutely NOTHING to do with “urn flowers applique“. That was my original search because I’m planning to start an urn flowers applique project! But first I need a design.

Since I don’t draw well, I decided to cut shapes and arrange them on paper. This gives me a pretty good idea of how big the shapes should be and how they might be arranged. The crumpled white paper is the wrapping label off a roll of batting. (Do you save some of that paper, too?) I taped two strips together and then started cutting shapes from another chunk. To save my arrangement I traced quickly around the shapes. It should be pretty easy to transfer to freezer paper and then fabric.

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I’m planning to do old-fashioned needle turn applique, without all the glueing and pressing and fusing and fussing that some of the other techniques use. This will be relatively primitive, both due to my skills and my intention. The colors I’m choosing are joyful, not stuffy. I’ll show you progress as I make it.

What are you playing with these days? 

 

The Quilt with the BIG Center Block

As mentioned, I started a new medallion quilt. This one has a big, 50″ center block, and a total width of about 84″. It will be square.

At about 60% of the width, the center is larger, as a proportion, than I usually use. (See my three posts on proportion here.) The size makes the borders challenging. If they are narrow and fussy, they will be out of proportion with the large-scaled center. They need to have enough visual weight to hold their own, while also enhancing the center’s impact.

Here is my plan. I started with the center and then designed around it. So while this isn’t strictly “design as you go,” it was definitely designed one step at a time.

Isaacs Big Bed Quilt

The center is 50″. Notice it is built on a 5-grid, so each of the 25 segments (5 x 5) is a 10″ finished square. Each half of a flying geese unit is 5″. It doesn’t look complex, but there are 97 patches in the big block. The broken dishes blocks in the first pieced border are each 7″. While not scaled the same as the center (and they don’t need to be,) they are large and graphic, giving appropriate support for the whole design.

I have the center built, as well as some of the hundreds of half-square triangles for the two pieced borders. The outside edge of HST might have a different arrangement when all is said and done.

Here is the center of the center:

20160120_172039

Can you see the delicious cats and mice fabric used as the light value? I’ve had that since my oldest grandson was born, almost 11 years ago. I used a little in his baby quilt, but have hoarded most of the rest since then.

I’m still working on the half-square triangle blocks. When they are all built, I’ll use 144 of them to make the 36 broken dishes blocks. Truthfully this part of the process is a little tedious, so I might not be speedy.