Tag Archives: Historical quilt

Ohio Red and White Medallion, Fire and Ice

It’s been rather a slog, but I’ve finally finished the top of this quilt.

Fire and Ice. Unquilted top. Approx 68″ x 68″. Based on IQSC Object Number 1997.007.0797 from the International Quilt Study Center & Museum, a quilt from 1800-1820. March 2017

In general, construction was pretty simple. The delays came in decision-making, especially for the corner blocks. After originally considering making each corner different and including my initials and the year, I decided to make them the same. My first impulse there was to use Ohio Stars. I thought this would work well for style, and it would be a reference to the IQSCM’s belief that the original quilt may have been made in Ohio. I made a test block with an Ohio Star and wasn’t happy with it. I liked the way the star points repeated the hourglass construction of the first big border. However, somehow it just looked like too many small pieces.

After trying a few other designs in EQ7, I chose the modified variable star to center my blocks. It actually uses the same shapes as the Ohio Star but in different proportions. As I said to Jim, I can’t define why I like it better, but I do.

I’ve asked a talented, professional longarm quilter to quilt for me. This piece deserves better quilting than I can do myself.

In the meantime, I have plenty of other things to work on!


Ohio Red and White Medallion, Progress

As discussed before (here and here,) I’m creating a quilt inspired by a historical work held by the International Quilt Study Center & Museum. You can find the inspiration quilt here. And you can find more information about it here.

I’m not reproducing the original quilt, but trying to honor it and its maker. In so doing, I’m changing some aspects of the design. The size is somewhat smaller than the original, as mine will finish at about 68″ square, while the original is listed as 79″ x 81″. Also, I don’t have a pattern so my proportions are somewhat different as I estimate from the photo. And I’m changing the center block and corner blocks, while maintaining the feel of the original.

Because of the construction challenges this project offers, I’m building it in parts. Here is a photo of the “parts” so far, laid out on my beige studio carpet. The places where the carpet shows are where more parts are needed, such as for the big corner blocks.


Because the center block is appliquéd, I’ll finish it before adding any borders. (Nope, it’s not done yet. Today Jim helped me decide the final design for it. He really is the best consultant, as he tries things I don’t think of. Those little squares on point? That was his idea.)

If you’ve ever used traditional piecing to make long strips of triangles for a border, you know it is fraught with lots of opportunity for error. I used my new paper piecing skills to make mine. While the process is slow and fussy, and wastes fabric and thread, it is easy enough and created borders I’m really happy with. I’ll take the waste and the pace in exchange for the quality.

For those corner blocks, I’m considering including my initials in one and the year in another. However, that leaves two more blocks and I’m not sure what to use in them. Any ideas?

I’m really excited about this quilt, as I’m able to honor an amazing piece of art that’s 200 years old, and its artist, while contributing my take on the design and incorporating some new-to-me techniques.

Ohio Red and White Medallion, Center Block

As mentioned in my last post, I’m creating a quilt inspired by a historical work held by the International Quilt Study Center & Museum. You can find the inspiration quilt here. And you can find more information about it here. I don’t intend to reproduce it exactly, but to honor it.

The center block of the quilt is quirky and complex. I found the inspiration quilt more than a month ago and have spent much of that time pondering its construction. The sizing of components and the technique to use for them both present challenges. (And opportunities!) On first glance it looks mostly pieced, but I decided that appliqué would be my primary technique. I’m not very experienced with appliqué, so thinking it would be “easier” gives you a notion of how the piecing would go.

And because I don’t appliqué much, I tried multiple methods before settling on raw edge fusing, with a button-hole stitch to seal the edges.

Here’s the block so far, with more detail to come. It is surrounded by the hourglass blocks that border it a little later. I have a ways to go yet, but I’m really happy with it and its resemblance to the historical quilt.



Ohio Red and White Medallion, 1800-1820

My adventures with the Delectable Mountains quilt, currently on my longarm frame, were inspired by a photo found at the International Quilt Study Center & Museum. During the same expedition in which I found that, I found another quilt from the early 1800s that is a bit more my style.

The IQSCM has a confusing policy sheet for sharing their photos. Though the quilt is 200 years old and therefore is not protected by copyright laws, and the design, regardless, is not protected, the quilt is owned by the museum, and the photo was taken by someone. They have the rights to the photo; I do not. And since I don’t understand their policy, I will share a link to the photo, rather than the photo itself. You can find the inspiration quilt and more information about it here.

As it says in the title to this post, this quilt was made in the early 1800s, possibly in Ohio. It is made from two fabrics that currently appear to be a brown print and a creamy white, likely an unbleached muslin. The brown may have been a different color when it was made. The quilt size is 79″ x 81″.

I’m using this quilt as inspiration for a red and white quilt of my own. It is not a reproduction; I won’t use similar fabrics and it will be somewhat smaller. Some of the appliqué elements will be different than on the original. This EQ7 image approximates the whole design. I wasn’t able to draw either the center or the outside corner blocks as on the original quilt, but they will be more similar to the original than you see below.


All the construction will be pretty simple, with the exception of the center block. The very center is a variation of a LeMoyne star, with extra points set on top of a base. The straight red lines in the center may be most easily made with appliqué, too. So even some things that begin as pieced, or appear as pieced, will be appliquéd.

At this point I have the hourglass border blocks made. (I love making hourglass blocks.) Once I get some progress made quilting the Delectable Mountains, I’ll come back to tackle the center block.

When finished, I hope to exhibit this quilt in my local guild’s show in early June.