As discussed before (here and here,) I’m creating a quilt inspired by a historical work held by the International Quilt Study Center & Museum. You can find the inspiration quilt here. And you can find more information about it here.
I’m not reproducing the original quilt, but trying to honor it and its maker. In so doing, I’m changing some aspects of the design. The size is somewhat smaller than the original, as mine will finish at about 68″ square, while the original is listed as 79″ x 81″. Also, I don’t have a pattern so my proportions are somewhat different as I estimate from the photo. And I’m changing the center block and corner blocks, while maintaining the feel of the original.
Because of the construction challenges this project offers, I’m building it in parts. Here is a photo of the “parts” so far, laid out on my beige studio carpet. The places where the carpet shows are where more parts are needed, such as for the big corner blocks.
Because the center block is appliquéd, I’ll finish it before adding any borders. (Nope, it’s not done yet. Today Jim helped me decide the final design for it. He really is the best consultant, as he tries things I don’t think of. Those little squares on point? That was his idea.)
If you’ve ever used traditional piecing to make long strips of triangles for a border, you know it is fraught with lots of opportunity for error. I used my new paper piecing skills to make mine. While the process is slow and fussy, and wastes fabric and thread, it is easy enough and created borders I’m really happy with. I’ll take the waste and the pace in exchange for the quality.
For those corner blocks, I’m considering including my initials in one and the year in another. However, that leaves two more blocks and I’m not sure what to use in them. Any ideas?
I’m really excited about this quilt, as I’m able to honor an amazing piece of art that’s 200 years old, and its artist, while contributing my take on the design and incorporating some new-to-me techniques.