Since I posted last, I finished assembling and quilting the graduation gift quilt. That took a lot of pressure off, though it still needs binding, one of today’s tasks.
Besides that, I had a wonderful Mother’s Day weekend with a surprise visit from my son, who lives on the west coast, and the daughter and her children who live near us. While traveling across country on Friday, Son made an unexpected stop near St. Louis. Since he was only a few hours away, he rented a car and drove up. ❤
Monday’s guild meeting checked one more item off my list, leaving more feeling of time and space for the next several days.
And yesterday, I took a workshop, getting back into the stream of trying new ways to tell stories with quilts. Our guild presenter and workshop leader was Cathy Geier, a landscape artist from Wisconsin. This link is for her gallery and this one is to her blog. The work on her gallery page shows a variety of styles and a range of complexity. In her blog she describes process in detail, as in this recent post on a complicated new project.
Her project for the workshop was much simpler, appropriate for beginners in this kind of quilting. We were to create the majority of a woodlands landscape in a whole three hours. She explained how to use her techniques and materials to arrange elements of tree trunks, background shrubbery, and leaves.
Cathy provided a fat quarter of background fabric, and six other fabrics for the remainder of the scene. She showed how to use plain ol’ acrylic white craft paint, the kind that comes in a small plastic bottle, to add “light” to one side of the pale tree trunks, and a silver metallic Sharpie to add shade and contour on the other side. The dark trees used that silver Sharpie to make pale streaks, and brown and black markers to make dark ones, to give bark texture. Shrubs and flowers are cut with “messy cutting,” a way to create unstructured, organic-looking shapes. She reminded us that the back of the fabric sometimes is the better side to use. After basic lessons on foreground/background placement for perspective, those pieces are glued to the background with glue sticks. She brought a big box of various markers she uses to add or subtract color, and a big bag of crayons for same. Leaves are added last, using a leaf print and fusible web.
I don’t have leaves fused in place yet, but you can see a few of them for the effect.
From her samples, it was easy to see that the finishing (borders, quilting,) make a big difference in the final look. In truth, this isn’t a three-hour project. But it is doable by beginners, and it was a fun lesson in this type of appliqué and design.