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Transformation

These days, HGTV is focused on total house renovation, largely done by hired contractors, and selling fantasy homes. In the old days, many programs looked at the smaller scale of crafts and DIY home decor. Those old shows, and current ones like Craft in America on PBS, elevate making as a means of expression, and as a source of pleasure in transformation. As I watched those shows I remarked more than once about my wish to make beautiful things by my own efforts. But though I took a couple of drawing and painting classes, and occasionally bought craft supplies to try at home, I had no particular skill or talent for it.

Sometimes I’m still surprised at my journey into quilting. In my first experience fourteen years ago, I cut measured squares using a ruler, pencil, and scissors. I sewed them with seams as wide as the presser foot edge. The machine’s tension wouldn’t hold, leaving me repeatedly frustrated. Once my quilt top was assembled, I used tack stitching to hold the layers together. I pinched together wide bias binding, from a package, around the edge and top-stitched. It’s amazing that little quilt held together as long as it did.

The effort was not very satisfying, much less inspirational. I was not transformed into a quilter, but I enjoyed choosing fabrics to go together, and deciding how they would be arranged. Perhaps that’s what spurred my second quilt. It also was from squares, but I had a new sewing machine and basic tools of rotary cutter, a ruler, and mat. Having better tools allowed more pleasure from the process, as well as a better product.

The tools we use include more than the tangible ones like rulers and mats and machines. They also include the skills and talents we develop over time. I remember in the early days of my quilting having to think about each step as I made a small table runner for a friend. My goodness, it was hard!

Terri’s Variable Star Table Runner, about 8.5″ x 25.5″. From my early days, maybe 2006.

Of course, I didn’t use a pattern. I didn’t know patterns even existed. By that time I understood basic patch cutting with a quarter inch seam allowance, so I used the few books I owned for ideas, not recipes. (Eternal thanks to the small number of quilters online, who offered tips and tutorials even without patterns. Because of them, I learned how to quilt. Hallelujah and Amen.)

Besides the books, I started subscribing to American Patchwork & Quilting. Here, too, were patterns that I misunderstood as ideas and inspiration. Though I made a few quilts over the years based on the beautiful projects they showed, I always changed things, subbing a different block into the setting, or changing the size. The quilt below uses the “streak of lightning” setting I saw in an APQ project, though nothing else about it is the same.

Em’s Bed Quilt top (unquilted.) Streak of lightning setting. From about 2007. I don’t have a photo after it was quilted and bound.

Though I always designed my own quilts, it was many years before I thought of myself as a designer. In fact, that thought came to me about four years ago, at a specific moment, which I wrote about here.

While that recognition didn’t change what I do, it did help change how I do it. Seeing myself as a designer made me take design more seriously. Design is something that can be learned, and can be taught. I started studying design principles generally, but specifically related to quilts. I learned about unity, balance, proportion, and movement. I learned how design elements such as color, value, shape, and size contribute to the look of the quilt. And I began to evaluate more carefully what I see and what I make.

Evaluation allows me to identify both challenges and opportunities for meeting them. Currently I’m developing quilts for the class I’m teaching on medallion quilt design. Sometimes when I’m making a quilt, something about it strikes me wrong. Does that ever happen to you? 🙂 I got this far on one of my tops, and was dissatisfied. I knew the problems, but I wasn’t sure about the solution.

bear’s paw center block with borders

The first border of batik around the bear’s paw center block is cornered by fussy-cut flowers. I liked the effect at first, but as I surrounded it with more borders, it bothered me more and more. (Construction note: I used separate blocks, including half-square triangles, to form the borders that create the on-point look. The blocks allowed better precision of placement than I would get by creating large triangles to set on point.) The last border in the picture above is also batik, and it is cornered with more of the red used in the interior.

What didn’t I like? Those corner blocks. Though small, they have a lot of effect on the look. In the interior corners, the black print with red flowers bled into the surrounding fabrics. It wasn’t distinct enough from the batik, the black print, or even the red. On the outside corners, the red is simply too hot.

Another problem is that I’ve limited the number of colors I can use in later borders. There are various blues, greens, golds, and browns in the prints. However, the large sections of aqua, red, and butter yellow make introducing more colors awkward.

The simplest solution to both problems is to change the corner blocks. I looked for blue in my stash that would emphasize the blues in the batik. I had one small piece, about 10″ x 15″. (This isn’t unusual for my stash. I usually buy a yard at a time, but the way I use it, often in small amounts, ultimately leaves me with small amounts.) I cut squares to replace the eight corners and covered the ones already sewn in. Immediately I was happier. The blue transformed the piece, making it cooler and simpler, and allowing blue as another color for outer borders.

As I create my class projects, I explain to my students some of my process, using the jargon of design. Explanation clarifies for both them and me. And I ask for advice and help at decision points. They, also, present their work, and the group provides constructive input.

Over the series of classes, they become more confident in their choices. Some who have never designed their own quilts before are guided through the process, transforming themselves at the same time.

One could define “transformation” as the act or process of being changed. Some synonyms are change, alteration, and metamorphosis. A “metamorphosis” is the transformation into a completely different form, unrecognizable from the beginning. My metamorphosis over many years has taken me from someone with no apparent artistic skill, to one who can change pieces of fabric and thread into things of beauty and utility of my own design, and to one who can teach others to do the same. I like this form, and I look forward to what comes next.

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Class Quilts

My medallion class began last week! In class I help lead participants through the process of designing their own medallion quilts. And while they create, I do, too.

In the few weeks we have together, while each of them is making one quilt, I design and construct two. I start with very different centers and color schemes in order to demonstrate a variety of strategies.

The first one I began has a center block that features flying geese circling a star. The block design came from the Big Book of Scrap Quilts, published by Oxmoor House in 2005. The quilt pattern is called “Dizzy Geese,” designed by Joan Streck. Dizzy Geese is a block quilt, with a 17″ block made with templates.

I re-drew the block to 16″ and paper-pieced it.

Though I’ve made quilts in reds and greens before, I haven’t made one I’ve thought of as a Christmas quilt. This one will have that intention, but I’d still like to keep it lighthearted. I’ll minimize the holiday-focused prints, but refer to the occasion through shaping. For instance, the circling flying geese give the impression of a wreath.

With the intricate center, I wanted a simple first border, but one that would extend the range of color. Because the star points are a forest green print, I chose a citrus green for the border. The corner blocks add to the gold, found in the center’s green print and in its background fabric.

The second border was fun and easy to make. Take a look. The corners are just half-square triangles. The side blocks are each made of three pieces and all the blocks are same. Their orientation gives the look of a twisting ribbon as they circle the top.

And the third border is a plaid with dark green, dusky gold, and burgundy, with bright gold corners. I don’t love the dark plaid, for various reasons. But I think it will serve its purpose as the design develops. It’s easy to get hung up on individual elements, such as the color or shapes or value of a particular border. Just as you don’t have to love a particular block to have it work well in a block quilt, you don’t have to love a particular border in a medallion quilt. Every border changes every border, and it’s the final effect that counts.

I have tentative plans for the next borders, but won’t work on this more until next week.

The second quilt begins with a bear’s paw block in the center. I’m less certain of the direction for this one. I really like the center block, with its beautiful Julie Paschkis print in the large sections. And I love the batik that surrounds the block. I am not absolutely sure they work together. However, some patience is in order as I let the process play out. (Trust the process.)

Though I rarely work on two quilts in the same stage at the same time, the chaos is kind of exciting, too. We’ll see if I still feel that way in a couple of weeks. 🙂

Distracting Myself With Drawing Quilts

It was another rough news week, wasn’t it? Between threats of nuclear war with North Korea, the possibility of invading Venezuela (and WHY?? I keep up pretty well and haven’t been able to figure this one out,) and the disgusting display of American Naziism in Virginia over the weekend, I’ve practiced distraction a lot.

I’ve been quilting my big 6-pointed star quilt in pink and brown, too. I posted a handful of pix in Instagram, but nothing here. I have it about 75% done, but it is now off the frame, as I’ll turn it to do the last two sides. (Because I’m doing “custom” quilting, and treating each section differently, the borders are easier to do in one pass. If I turn the quilt 90°, I can do the sides that way, rather  than in pieces as the quilt rolls from one end to the other. If you didn’t understand what I just said, don’t worry… 🙂 )

Besides that, I’ve been thinking about my upcoming class. I will make one quilt to feature in the shop’s marketing. I’ll also make two quilts along with my students. But I also will draw several more, to show them examples of how they might use simple blocks and unpieced borders to create an intricate design.

Here are a few. All of them will create a quilt finishing 60″ square. The center block for each is the same size, and the border widths are the same sizes. They all use the same blueprint.

I’ll start with a re-do of the white and bright one from the other post. This preserves the flavor but simplifies it quite a bit.

Next are two that also use spacer blocks in the final border.

And two more that have more traditional block placement in the final border.

These were fun to create, and served well to keep my mind off some less happy topics.

Which Class Would You Take?

I regularly teach a class on medallion quilt design. Here is the class description:

This Design-As-You-Go class will show you strategies and techniques to customize a medallion quilt. Whether you love modern style, traditional, or somewhere in between, your imagination and favorite fabrics will create a quilt unique to you! You’ll learn how to create a center block to serve as your focal point and inspiration; choose and size borders to enhance the center block and each other; and lots of tricks for dealing with color, shape, value, balance, and unity. This 5-session class is for the quilter who isn’t afraid to design her own quilts or change patterns to suit her own vision. Class size is limited due to extensive discussion time needed.

I provide students with a “blueprint” that gives sizes for the center block and borders. Though they each design their own quilt, having the sizes removes one decision from the process and allows them to focus on others. (They can ignore the blueprint altogether, too! It is their quilt, not mine.)

For my upcoming class, I’ve changed the blueprint. The change makes some of the block sizes easier, and also allows lessons on using even or odd numbers of blocks in a border.

However, because it’s a new blueprint, I don’t have any samples made! Now I need to make one pronto, so the quilt shop can market the class with a nice photo.

Which of the two quilts (drawn in EQ7) would entice you to take this class? Remember, the content of the class is the same, because the students design their own quilts.

Presentations in 2017

I still have openings for presentations and workshops in 2017. And it’s not too early to book for 2018! I’m located in east central Iowa and can travel.

Contact me at catbirdquilts @ gmail.com for more information or to schedule guild presentations or classes.

LECTURES OR PRESENTATIONS

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Medallion Quilts Design Basics

What challenges do medallion quilts present? Learn the basics of medallion quilt design principles, including unity, symmetry, balance, proportion, and movement. Find out how to achieve these with color, value, shape and size, line, and placement. Mixed presentation including PowerPoint slides and trunk show. Approximately 1 hour.

The Underground Railroad Quilt Code: History, Mystery, or Bunk?

Were quilts used to help slaves escape? What codes might have been used to convey information to fugitive slaves? What was the legal, economic, and political environment during the Underground Railroad years? This class looks at pre-Civil War history and existing evidence on the quilt code. Approximately 1 hour.

The Mill Girls, Revolutionaries in America

Who were the Mill Girls and where did they come from? What part did they play in changing America forever? How did the textile industry in which they worked propel slavery in the U.S.?  Learn the fascinating stories about how these girls and young women drove the industrial revolution in America,  led the labor and women’s rights movements, and helped bring quilters to where we are today. Approximately 1 hour.

Collaborative Quilting and Round Robins

Most of us collaborate in our quilting, using patterns designed by others or creating with partners. Round robins are group projects that pass through the hands of a number of quilters. Round robins are fun and challenging, stretching quilters’ creative powers. Learn about the joys and challenges of collaborative quilting, including sample rules for round robins. Approximately 1 hour.

CLASSES and WORKSHOPS

UntitledHaving Fun with Economy Blocks

Learn to make Economy blocks the size you want for a setting you love. Using them alone, you can create fun and stunning scrap quilts. Brainstorm other ways to use these versatile blocks and begin to see the possibilities. You’ll learn how alternate blocks can create a sparkling secondary design. You’ll see other settings such as in borders, medallion centers, or as the beginning of a great modern quilt. This one-day workshop is fun for quilters of all skill levels.

Medallions for Beginning Quilters

Can you measure and cut accurately and sew a pretty good 1/4″ seam? Have you noticed all the modern medallion quilts around and want to get in on the fun? Or maybe you love the history and beauty of traditional medallions. Join me to learn some basic medallion techniques. You’ll improve your 1/4″ seam, chain-piece, press, and construct five basic blocks. We’ll cover multiple methods to make half-square triangles and flying geese, so you can choose what works best for you. With blocks in hand you’ll assemble them into a medallion quilt top. This 5-session class is for confident beginners.

Medallion Improv!

This Design-As-You-Go class will show you strategies and techniques to customize a medallion quilt. Whether you love modern style, traditional, or somewhere in between, your imagination and favorite fabrics will create a quilt unique to you! You’ll learn how to create a center block to serve as your focal point and inspiration; choose and size borders to enhance the center block and each other; and lots of tricks for dealing with color, shape, value, balance, and unity. This 5-session class is for the experienced quilter who isn’t afraid to design her own quilts or change patterns to suit her own vision. Class size is limited due to extensive discussion time needed.

Contact me at catbirdquilts @ gmail.com for more information or to schedule guild presentations or classes.