Tag Archives: Rooster

The Rooster

Sometimes all the what-ifs lead to creative breakthroughs, and sometimes they just set up roadblocks to making. If you chase every possible path, you’ll never get anything done.

After finishing the checkerboard border, I had lots of choices available. The size of the center (center block plus the border) was odd, something like 19.75″,  and it would have been awkward to add a border of regular square blocks at that point. I could have added a spacer border to make a an easier fit, but I wasn’t happy with the sizing that would have required, either. And I would have needed a plan for type of pieced border, so I could choose the spacer border width.

What if, instead of a pieced border, I made an appliquéd one? Then the width wouldn’t matter, except relative to proportions. Yeah, that could work. That begs the question, what kind of appliqué? Something pretty simply, something small to work with the proportions, something in colors already used, or similar enough to them that the color isn’t confusing. Well, I guess that narrows it down…

At least it let me get started. After the dark blue and bronze checkerboard, I wanted an edge of salmon. From a construction standpoint, the narrow border would stabilize the piecing, since the checkerboard squares finish at 1 1/8″. From a design standpoint, it would repeat the color of the rooster’s feet and eyeball, and refer to the background coral (mesh-like print) and the rooster’s comb and wattle. It would brighten the composition with the accent, and give separation from another, darker border.

I decided to try for a finished width of about 1/4″. In retrospect, a flange would have worked well, too, and may have been easier to execute. But this worked well enough. Before attaching, I made sure the center’s corners were good and square. That involved shaving off tiny bits of the pieced checkerboard along the edges. Fortunately they were in pretty good shape. Then I pinned the narrow salmon border with lots of fine pins, so the two pieces were flush along the edges, and they wouldn’t slip away from each other. I stitched carefully to maintain the seam allowance. (And when I add borders, I always backstitch at both ends.)

I had already chosen a blue for the last border. It’s the same color as the blue on the chicken, but rather than a random-looking stripe slashing across it, it has a very fine cross-hatching of black and off-white, suggesting plaid. The regularity of design repeats the regularity in the checkerboard, but of a completely different scale.

I drew a simple shape to appliqué, thinking I could just repeat it a number of times around the edge. After digging through lots of fabric, I chose a dark toffee color with a brown leaf print. I pressed fusible web onto a small piece of it and cut out three of the shape. The shape is either an X or a +, depending on orientation. With the size I cut it, there is only room for it as an X.

Once I had the three samples and auditioned them on the blue border, I decided they took too much attention away from the rooster. I could have gone through a million more what-ifs, everything from what color or width of border to use, what color or shape of appliqué, whether to go back to the idea of a pieced border. The fact is, though, I like it just the way it is. I declare the rooster top “done.”



What About That Rooster?

Joanna commented on my last post that it was an interesting bait and switch, titling the post with “Rooster” but blogging about geese. Yeah, that was not really on purpose. By the time I finished showing you the flying geese quilt top, it seemed like a big enough post already. This one is actually about the rooster.

Though I put a couple of recent photos in Instagram, when you last saw it on the blog, I’d assembled portions of the appliqué but had not fused it all together. Here it is, both before and after being fused to the background fabric. Click either picture to see them bigger. 

It’s worth spending a moment here to talk about execution. Over the last few months, I read a lot of different blogs and tutorials about fused and other machine appliqué. For me it was like reading a lot of recipes for one type of dish, and then making my own plan based on what I’d learned.

Whatever this quilt is when done, it won’t be a cuddle quilt or bed quilt. It’s not likely to ever be laundered. I don’t need to worry about finishing the edges completely with stitching. That gives more flexibility for method. Here are a few bullet points, with whatever commentary applies:

* I used Wonder-Under brand fusible web. Honestly, I haven’t tried more than a couple of brands, so I can’t tell you how it compares to other types of fusible.
* For some of the larger pieces, I cut the centers out of the Wonder-Under before fusing to the rooster fabric, leaving just an outline about 1/2″ wide. That reduced the heft and stiffness of those pieces.
* I fused small components together to make bigger parts (shown in the photo above,) using parchment paper as my pressing sheet. Once the pieces are pressed together, they can be peeled off as a group. Some people recommend Teflon pressing sheets, but I used parchment paper; it worked fine and it’s very inexpensive.
* Previously I’d drawn an outline of the rooster on tracing paper, along with a couple of marks to show where the background seams were. That made it easier to place the big parts when I was ready to fuse to the fabric. However, I purposely oriented the rooster a little less upright than my original drawing. That was easy to do since I hadn’t fused all the parts together yet.

After attaching the full rooster to the background fabric, I tried a lot of ideas for how to frame it. Initially I figured to create a narrow line of dark coral, all the way around, and then bordering that with hourglass blocks. None of the color combinations I tried really rocked me.

Many iterations of color later, I left the room. While Jim and I had dinner that evening, I tossed out some questions. You know, what if? What if I don’t use a narrow border of coral? What if I don’t use a narrow border at all? What if I just put one wide strip border around it and call it done? What if …

One question seemed worth pursuing: what if I made a checkerboard border? What if I used three layers of checkerboard, like 9-patches? Or maybe simpler, just 4-patches? Again I auditioned colors. I chose a bronze batik (used in many other projects, and I’ll be very sad when it’s gone) and the same blue print used for the rooster’s head.

The finished patches are 1 1/8″ squares. Rather than work with the tiny pieces individually, I used strips of blue and bronze, cut along the grain for better stability. If you cut across, width of fabric, you can get substantial bowing of the pieced strip.

That’s my progress so far.

Day 21 Rooster

Here I am three weeks into the Green Man project. When I told 7-year-old grandson Isaac that I was giving myself 100 days to work on it, he thought that was a long time. It’s funny about perception of time, though, isn’t it? The first three weeks have rushed by and I feel like I’ve hardly started.

I’m still waiting for delivery of supplies. (I would not do well in “the good old days” of waiting many months for delivery of a sewing needle, as in this post from a year ago.) In the meantime I persist with other efforts. Last week I started on a rooster project, conceived long before the Green Man was proposed.

My rooster began its life as a hen. I guess that makes it a trans-rooster. A magazine advertisement with a rough drawing of a hen was the starting point. I traced the basic shape, which was about 7″ tall. Using the old-fashioned grid system, I increased the hen’s size, at the same time elongating its neck.

Here is a photo of the rooster sketch. You can see I inserted leg extensions near the bottom of the picture. The fluffy feathery part of the rooster legs is what I call “pantaloons.” Surely there is a correct word for that. 🙂 I taped the drawing to a big window to create a light box effect. 

I do still have some fusible web but of a slightly heavier weight than preferred. After pulling out lots of “maybe” fabrics to cover the rooster, I started out appliquéing on muslin. This is what comes from inexperience.

It’s a reasonably good start, but I had no intention of finishing it on muslin. ??? Okay, moving on from there…

These pieces of fabric are not fused down yet. They’re just placed on top of the tracing paper sketch, which is stitched down to the background I’ll actually use. Again, procedurally, I have things to learn. But it’s coming.

My intention with the 100 Day Project was to spend at least 20 minutes every day on it. In truth, I manage far more than 20 minutes most days, and there have been a handful on which I probably haven’t spent that long. At this point I’m still exploring ideas and technique and materials. I watch videos and look up product specifications. I sort through my stash (again) and prep fabrics. I flip through books on appliqué and story quilts. I google photos for inspiration.

It feels very much like a lot of prep work and not much progress. A lot of thinking and not much doing. However, there is a lot I’m learning, though it isn’t very visible yet. What’s the hardest part? Maybe patience. That, also, is a good thing to practice.