DeLight. 96″ square. Finished June 2015. Photo by Jim Ruebush.
(Click on the photo above to open it larger in a new tab.)
As noted (extensively) in the last post about this quilt, the center block is a variation of an old design called “Odd Fellow’s” block. I found the design in a book called One Block Says It All, by Toni Phillips and Juanita Simonich. The book has a number of patterns all based on 60″ center blocks, surrounded by a couple of borders. While I used the same configuration as one of the centers in the book, I scaled mine to 32″, still a large block by most standards.
I’ve discussed before the proportion of the center as compared to the whole medallion quilt. Though I didn’t have a final plan when I made the block, I knew the quilt would be sized for a big bed, queen or king, so a big block would work well. (I’ll give all the border sizes in another post, as well as a blank you can play with.)
Almost all the shapes in this quilt are big. The smallest shapes are star points at the very center of the quilt. Next are the blue accent triangles in the inner HST border. They are small, but the solid pale grey in which they’re set creates large shapes to offset. (Note this: there are two shapes, one in the “color” and one in the background, or negative space. Either or both contribute to the sense of scale.) Also, the vibrant blue gives them weight relative to their size.
The “middle” border is actually two blocks wide. Each block finishes at 8″ square, so the perceived width of the combined border is 16″. As compared to the center (finishing at 32″) the middle border seems wide, and the blocks are bulky. The pale grey background fabric also attracts the eye more than the darker grey in the center. When the quilt is hanging as shown, the wide border and value difference takes some of the focus away from the center. When the quilt is on a bed, however, the imbalance is lessened in impact.
Two of the feature fabrics are the red with black print, making star points in the center and the large red triangles in the broad border, and the orange dandelion fabric. I’ve long wanted to use them together. They set the color scheme for the rest of the quilt, emphasizing the reds and oranges, but also including the violet.
The background color throughout the quilt is grey in varying shades. I’ll be honest. I am not a fan of grey, generally. But it was the right offset to the reds and oranges. It is very neutral, as a white would be, but it is less stark than white. That said, I much prefer the paler greys to the darker ones.
Speaking of paler compared to darker, the value contrasts in this quilt are a big factor in its effectiveness. In particular, I think the center block would be better if the background grey were paler, lending more contrast and showing off the Odd Fellow’s block and its fabrics better.
On the other hand, the broad border might be better with slightly less value contrast between its background grey and the shapes of color. A little less contrast would make the odd shapes stand out less.
Overall, though, I like strong contrasts creating distinct rings of value between center and border components. So while I’m not completely satisfied with the effect here, in the broad scope of things, I think the value contrast works okay.
Shapes are another design element we use to create meaning in a quilt. The comment above about value contrast in the broad border alludes to odd shapes. In truth, I really like the shapes from center through the big red triangles. And I like the outside border of red half-square triangles. And I even love the Old Maid’s Puzzle blocks in the corners of the broad border. But the other shapes there, especially the squares on point and the flying geese on either end of them, do not work as well for me as I’d hoped. Though they are connected to the red triangles and the Old Maid’s Puzzles, they don’t seem to relate. I still haven’t figured out what would have worked better.
Unity is the design principle that refers to the overall look of a piece. Does it present itself as a whole, or are there parts or elements that look out of place? This quilt displays unity. Aside from my misgivings about the squares on point, I don’t think they draw attention to themselves, distracting from the whole design. The strong symmetry and repetition of shapes and colors is soothing, while the ways points are directed provides some tension and contrast.
This quilt isn’t on my list of favorites, but I tried some things I hadn’t done before, and on the whole I like it very much.
Look for the EQ quilt design next time.