Tag Archives: Medallion Lessons

Kim’s Bright Garden

It’s been a while since I’ve written, and I’ve missed reading a lot of your posts, too. But here I am, finally with a day unscheduled and more flexible. In some ways I feel like I’m finally coming up for air. Whew!

Today I’ll start with Kim’s Bright Garden, a quilt finished on March 31 and opened Monday by Kim, aka Son’s girlfriend.

I started this project late last year after imagining a border built from variable stars on point. The imagined border had a pale yellow background for the blocks, with blue or lavender setting triangles. The star centers would be pieced, and centers and points would be from chalky pastels. The feeling would be floral, though without actual flowers or floral fabric. However, after I made 16 star centers and cut much of the rest, I felt unfocused and uncertain. As it turns out, it’s often wiser to begin a medallion quilt with a medallion or central motif. The center creates context and direction for what comes after.

After that rough start, I refocused by choosing a center block design and fabrics. I chose first borders and middle borders. After extensive puzzling, I designed and made the final borders. In March I quilted it and bound it. The binding is the same saturated yellow as in the center block.

Kim’s Bright Garden. 71″ x 71″. Finished March 2017. Photo by Jim Ruebush.

Son has been traveling a lot for work. We finally had a chance to visit with Son and Kim Monday evening. After he unsealed the box, he handed it to her to open. She was very touched and pleased, to say the least. It was a good gift, made with love and received with generosity. 🙂

For Guild
Part of my busyness lately has been projects for guild. In the last few months I quilted 10 projects, two of which I did early this year. Each has required more prep work than I anticipated, so I’m putting more of these on hold for now.

Besides that I’m on the program committee, the guild’s group that sets up speakers and presentations for upcoming meetings. Currently we’re working on the 2018-19 year. It’s a big responsibility, as programs is where the majority of the annual budget goes, and we want to make sure members get their money’s worth. I’m newish on the committee and still learning the ropes. Fortunately, it’s a good group and I’m learning a lot.

We have a quilt show in early June, and I’m working on a couple of parts of the planning. The big contribution I hope to make is with a Powerpoint slideshow outlining the value of a quilt. Our show is held on the same weekend as the local (big, regional, juried) art fair, and many people attending won’t have quilting backgrounds. If my slideshow can explain what makes a quilt special, by the process and the value of time and materials, it might add to attendees’ appreciation of the quilts they see. And it might increase the bids they are willing to make on our silent auction offerings.

Besides the efforts for the benefit of the show, I’ve also worked on two quilts to enter. (It is non-judged, simply an exhibit to share the beauty of our work with others.) We’re having a special “red and white” exhibit and I’ve made two quilt tops for entry. Both still need to be quilted, bound, and labeled before our show.

More to come in the next few days, as I get back in the swing of writing some. Good to be here again! If you’re still reading, thanks so much!

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Lessons: Medallion Books Review

Very few books on medallion quilts have been published in the last 35 years. Mostly they provide patterns. A few provide some historical context. Only one has an in-depth discussion of design.

For those interested in medallion quilts, whether made by yourself or in a round robin, I wanted to give short reviews of the ones you might encounter. Some I own and others I don’t. All reviews are presented in order of year of publication.

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The Art and Technique of Creating Medallion Quilts by Jinny Beyer, 1982
I own this out-of-print book and am glad I do. It’s a useful reference even though it is dated in presentation. Beyer’s writing is wordy; the book is largely in black and white; the quilt styling is formal and symmetrical; and construction methods use individually drafted templates for piecing. None of this is very appealing to today’s quilters, used to rotary cutting and quick piecing methods, as well as less formal styling. Things I like include a comprehensive history of the medallion format. Also, two chapters specifically consider design, though they focus on the broad outlines of proportion and not on aspects like color, value, shape, line, and movement. This book acknowledges construction challenges but provides little help for solving them, and there are no projects or patterns.

Classic English Medallion Style Quilts by Bettina Havig, 2003
This book shows traditional styling, providing patterns but no design context. The author asserts you can make an authentic English-style quilt using a center block and borders that alternately are pieced and wholecloth. There are ten types of border block units with instruction. The layouts of quilts are attractive, but the colors would be considered dated now. In addition, there are no construction strategies offered to help the quilter get borders to fit, assuming all sizing is absolutely accurate. The author provides planning charts, allowing quilters to customize their quilts with different blocks. However I find the charts very confusing, and the borders sizes odd. I don’t use this book much.

Medallion Quilts: Inspiration & Patterns by Cindy V. Hamilton, 2006
I don’t own this book but I’ve checked it out many times from my guild library. It includes some historical information about medallions, as well as beautiful photos. Hamilton is a skilled designer and includes patterns for four quilts. (I have not made any, so can’t comment on quality of instructions.) Though she encourages substitutions in border styles for the quilter’s preference or skills, her patterns include complex piecing with templates, and significant amounts of appliqué. Also, Hamilton’s book mentions making borders fit but doesn’t discuss solutions so quilters can do so.

Liberated Medallion Quilts by Gwen Marston, 2012
Marston is best known for her exuberant, “liberated” style. With its wonky, non-standard styling, liberated piecing gives plenty for the eye to enjoy. In this book she extends that styling to the traditional medallion format, and provides plenty of evidence for the notion that liberated IS traditional. The quilts in this book are playful and unique, a treat to look at.

In text Marston argues for design-as-you-go, but she doesn’t support that with strategies the reader might use to design their own, though there are patterns for a number of quilts. In addition, though I love many of these quilts, the liberated style is not how I like to work. So I use this beautiful book for inspiration if not instruction.

Focus on the Center by Pat Sloan, 2012
This is a pattern book with no design discussion. There are patterns for six lap quilts and one bed quilt. The marketing information doesn’t say what sizes those mean. I haven’t seen it in person, but the pictures of quilts are generally attractive.

Blocks, Borders, Quilts! by Sunny Steinkuhler, 2012
This book includes one blueprint for customization of a 40″ square quilt, with a number of specifically sized blocks. Though the creative reader could deviate from this pattern, there seems to be little to no design or construction information. I haven’t seen this book in person. One thing in the Amazon preview puts me off entirely. Steinkuhler says about contrast, “… you may not want any contrast in your quilt at all. There are no wrong answers here.” While wholecloth quilts can be very beautiful and interesting, they do have contrast in texture. And her book is on pieced medallion quilts, not whole cloth. What reason could there be for piecing a quilt with no contrast? I found this confusing.

The Modern Medallion Workbook by Janice Z. Ryan and Beth Vassalo, 2015
I don’t own this book but I’ve checked it out from the public library. Compiled by Ryan and Vassolo, it is a book featuring patterns by 11 designers including themselves. In addition, there are notes on basic quilt creation such as choosing fabrics, improving seam allowances, and cutting, which might be useful for beginning quilters. It is marketed as a “workbook,” as implied by the title. The premise is that the quilter can pick and choose favorite elements from the patterned designs, to customize a quilt to their taste. The workbook section does provide some helpful tips for this process. However, at only six pages, it really doesn’t cover either the design process or construction strategies in any depth. In the first printing, all three formulas given were stated incorrectly. All three said to multiply when the function should have been to divide, and one of the three had incorrectly stated order of operations. An experienced quilter might be able to suss that out, but a new quilter might be hopelessly confused. I won’t add this book to my personal library. For a more complete review, check the one written by Joanna the Snarky Quilter.

Quilter’s Academy Volume 5: Master’s Year by Harriet Hargrave and Carrie Hargrave, 2016
I wrote an extensive review of this new book when it came out in January. It was a big disappointment to me, for several reasons. The book is poorly formatted with at least three page layout styles; photos are murky; and all the quilts shown are in dull, muted colors. The content is marketed as a reference book and specifically not as a pattern book. Instead, it features patterns. The design reference section focuses on how to draw medallions on graph paper. The writing is confusing, both for basic text and pattern instructions. The authors’ tone is at least as off-putting as anything else. Please see my complete review for more detail.

Do you have any of these books? What do you think of them? What are your favorite medallion quilt books?