Tag Archives: Kim Lapacek

Class Projects in 2018

My guild has had some terrific workshops in the last few years. In 2018, I participated in three of them and added to my tool kit of skills. I share a bit about them below, in the order I took them.

Kim Lapacek of Persimon Dreams
Kim Lapacek brings a joy and enthusiasm to her work, and her workshop, that I’ve rarely experienced.

Kim led a workshop in the style of her Project Quilting challenges. Nine guild members spent the day inspired by her take-no-prisoners style of quilt-making. She goes ALL OUT, with techniques, embellishments, color, and pattern. As our challenge, she provided fat-quarters of base fabric as well as two more fabric pieces to each of us. We were to create and FINISH a quilt top in the six-hour time slot, using those two printed fabrics and NO straight-edge ruler. In addition, we were given a limit on how much fabric we could bring — only the amount that fits in a brown paper lunch sack. Also the fabric pieces we brought were supposed to be scraps, less than a fat quarter. While that lays a lot of constraints down, the subject or direction of our individual projects was completely up to each of us.

Influenced partly by her own “amazing technicolor dream heart quilt” and partly by a project I’d been wanting to make, I decided to use a rainbow color scheme to recognize LGBTQ rights as basic human and civil rights. It might be a poor shorthand, but it is eye-catching.

The verbal message is plain in black letters.

This project is like nothing I ever did before. It hangs behind my ironing station, and every time I stand there, it buoys me a bit.

Cathy Geier
Cathy Geier is an art quilter focused on landscapes. Her style would probably be called “collage appliqué,” though she incorporates piecing, especially into the backgrounds. She’s also quite fond of amending her fabrics with paint and markers, allowing some subtleties not available from the fabric alone.

In our workshop with her, we learned some basics of creating a landscape quilt of a forest scene. With commercially-available fabric, we cut tree trunks and glued them to a base background fabric. Diluted white craft paint helped turn the birch trees a paler grey, and silver Sharpie markers applied to one side of the trunks gave a sense of dimension. Flowers and shrubs came next, and then leaves. Leaves were mostly adhered using a fusible web rather than glue, but either would do.

At home I added a border and did the quilting. This was my first “collage” quilt and I’m very happy with the result, and with what I learned. The part that makes me less happy (and I know this wouldn’t bother many people) is that it doesn’t feel like my quilt. I can’t display it because I didn’t design it, and likewise it’s hard to give as a gift. Maybe that’s just weird of me to feel this way… But maybe because of that, I like the back that shows the quilting as much as the front.

The gallery below shows a squared-off photo. Click either image to see bigger and with right proportions.

Toby Lischko
Toby Lischko specializes in using mirrors to create fabric design symmetry, and in curved piecing, especially in New York Beauty blocks. My guild was treated to the first topic for an evening presentation, and to the second topic in Toby’s workshop.

Using her method and rulers, curved piecing was a snap. I honestly was surprised at how easily and well my blocks turned out. In class I made two quarter-circles; at home I made the other two and set them in a background of orange Grunge.

I added corners in purple and designed the Lone Star-style star point. I need to take the star point apart and rebuild it so my seam allowances and sizing are better. This is a low-priority project so will carry into next year.

I am very fortunate to have opportunities like this. My guild has some great things planned for the coming few months, too, and I look forward to them, too.

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RESIST

The last couple of weeks have been a whirlwind. We traveled to see family; I finished four quilts with binding and gave two of them away; I gave away another; I began the 100 Day Project and successfully made it through the first seven (eight now!) days; I cleaned up my own guild presentations flyer and created one to represent my guild; and I took a full-day workshop.

Hopefully I’ll get around to talking about all of those things, other than the family trip, of course! But today I want to tell you about the workshop. Yesterday my guild (Old Capitol Quilters Guild, based in Iowa City, IA) hosted Kim Lapacek, best known for her Project Quilting challenges and the amazing Dresden Neighborhood pattern. (Kim, give me a link to your pattern for sale, please!)

Kim led a workshop in the style of her Project Quilting challenges. Nine guild members spent the day inspired by her take-no-prisoners style of quilt-making. She goes ALL OUT, with techniques, embellishments, color, and pattern. As our challenge, she provided fat-quarters of base fabric as well as two more fabric pieces to each of us. We were to create and FINISH a quilt top in the six-hour time slot, using those two printed fabrics and NO straight-edge ruler. In addition, we were given a limit on how much fabric we could bring — only the amount that fits in a brown paper lunch sack. (I eat a big lunch…) Also the fabric pieces we brought were supposed to be scraps, less than a fat quarter. While that lays a lot of constraints down, the subject or direction of our individual projects was completely up to each of us.

As she spoke, my thoughts turned to a project I’ve wanted to make for about a year-and-a-half. Inspired partly by her own “amazing technicolor dream heart quilt,” I decided to use a rainbow color scheme. Mine was not because of my love of all colors, but rather my intention to recognize LGBTQ rights as basic human and civil rights. It might be a poor shorthand, but it is eye-catching.

The verbal message is plain in black letters.

A guild friend asked me what I am resisting. I said I’m resisting racism, sexism, disenfranchisement, sexual assault as a norm, … Though I stopped at that in telling her, certainly my resistance is more inclusive.

From a technique standpoint, I used a piece of muslin about 28″ x 31″ as the backing. (This is bigger than the one Kim gave me. We joked that I was disqualified from the challenge for that, and for bringing a slightly bigger bag of fabric than she was picturing.) I drew lines through the center to divide the piece into eight wedge sections. My first take on filling the sections was to start “improv-piecing” green bits together. Quickly it was clear that would take too much time.

As an alternative, I got out my bottle of Elmer’s school glue. In the green section I made a wavy line of glue and started adhering bits of fabric. When the green section was covered in green fabric, I stitched down the bits in straight-ish lines, trying to move along most of the edges but not being very fussy about it. After all, this needed to be FAST to meet the completion part of the challenge.

I continued around my rainbow, adding in teal/turquoise and compressing the indigo/violet. After adding each section, I pressed it with my hot iron.

Once all the colors were on, I used fusible web and a strip of black fabric to create the letters and attach them. Yes, I remembered to draw the letters in reverse!

Make no mistake, the glue did leave a mess. I needed to wash the table top where I did the glue work, and I cleaned up my machine, where the glue-y fabric rubbed along it under the presser foot. Also I cleaned the bobbin area, to pull out any remnants of dried glue underneath. I do still need to wash the presser foot and change the needle. For the future, if I do this again, I’ll use my less-valuable sewing machine.

My project is not done, after all. I have a concept for the outer edge of the muslin, still uncovered by color. Also I need to decide whether I will quilt it or simply leave it as a poster for myself.

The workshop was the MOST FUN I’ve had at a workshop. With encouragement and inspiration, Kim helped me unlock a portion of my brain. I wonder what else is in there… 🙂