Tag Archives: Cathy Geier

Class Projects in 2018

My guild has had some terrific workshops in the last few years. In 2018, I participated in three of them and added to my tool kit of skills. I share a bit about them below, in the order I took them.

Kim Lapacek of Persimon Dreams
Kim Lapacek brings a joy and enthusiasm to her work, and her workshop, that I’ve rarely experienced.

Kim led a workshop in the style of her Project Quilting challenges. Nine guild members spent the day inspired by her take-no-prisoners style of quilt-making. She goes ALL OUT, with techniques, embellishments, color, and pattern. As our challenge, she provided fat-quarters of base fabric as well as two more fabric pieces to each of us. We were to create and FINISH a quilt top in the six-hour time slot, using those two printed fabrics and NO straight-edge ruler. In addition, we were given a limit on how much fabric we could bring — only the amount that fits in a brown paper lunch sack. Also the fabric pieces we brought were supposed to be scraps, less than a fat quarter. While that lays a lot of constraints down, the subject or direction of our individual projects was completely up to each of us.

Influenced partly by her own “amazing technicolor dream heart quilt” and partly by a project I’d been wanting to make, I decided to use a rainbow color scheme to recognize LGBTQ rights as basic human and civil rights. It might be a poor shorthand, but it is eye-catching.

The verbal message is plain in black letters.

This project is like nothing I ever did before. It hangs behind my ironing station, and every time I stand there, it buoys me a bit.

Cathy Geier
Cathy Geier is an art quilter focused on landscapes. Her style would probably be called “collage appliqué,” though she incorporates piecing, especially into the backgrounds. She’s also quite fond of amending her fabrics with paint and markers, allowing some subtleties not available from the fabric alone.

In our workshop with her, we learned some basics of creating a landscape quilt of a forest scene. With commercially-available fabric, we cut tree trunks and glued them to a base background fabric. Diluted white craft paint helped turn the birch trees a paler grey, and silver Sharpie markers applied to one side of the trunks gave a sense of dimension. Flowers and shrubs came next, and then leaves. Leaves were mostly adhered using a fusible web rather than glue, but either would do.

At home I added a border and did the quilting. This was my first “collage” quilt and I’m very happy with the result, and with what I learned. The part that makes me less happy (and I know this wouldn’t bother many people) is that it doesn’t feel like my quilt. I can’t display it because I didn’t design it, and likewise it’s hard to give as a gift. Maybe that’s just weird of me to feel this way… But maybe because of that, I like the back that shows the quilting as much as the front.

The gallery below shows a squared-off photo. Click either image to see bigger and with right proportions.

Toby Lischko
Toby Lischko specializes in using mirrors to create fabric design symmetry, and in curved piecing, especially in New York Beauty blocks. My guild was treated to the first topic for an evening presentation, and to the second topic in Toby’s workshop.

Using her method and rulers, curved piecing was a snap. I honestly was surprised at how easily and well my blocks turned out. In class I made two quarter-circles; at home I made the other two and set them in a background of orange Grunge.

I added corners in purple and designed the Lone Star-style star point. I need to take the star point apart and rebuild it so my seam allowances and sizing are better. This is a low-priority project so will carry into next year.

I am very fortunate to have opportunities like this. My guild has some great things planned for the coming few months, too, and I look forward to them, too.

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Day 32 — Landscape Quilt Workshop with Cathy Geier

Since I posted last, I finished assembling and quilting the graduation gift quilt. That took a lot of pressure off, though it still needs binding, one of today’s tasks.

Besides that, I had a wonderful Mother’s Day weekend with a surprise visit from my son, who lives on the west coast, and the daughter and her children who live near us. While traveling across country on Friday, Son made an unexpected stop near St. Louis. Since he was only a few hours away, he rented a car and drove up. ❤

Monday’s guild meeting checked one more item off my list, leaving more feeling of time and space for the next several days.

And yesterday, I took a workshop, getting back into the stream of trying new ways to tell stories with quilts. Our guild presenter and workshop leader was Cathy Geier, a landscape artist from Wisconsin. This link is for her gallery and this one is to her blog. The work on her gallery page shows a variety of styles and a range of complexity. In her blog she describes process in detail, as in this recent post on a complicated new project.

Her project for the workshop was much simpler, appropriate for beginners in this kind of quilting. We were to create the majority of a woodlands landscape in a whole three hours. She explained how to use her techniques and materials to arrange elements of tree trunks, background shrubbery, and leaves.

Cathy provided a fat quarter of background fabric, and six other fabrics for the remainder of the scene. She showed how to use plain ol’ acrylic white craft paint, the kind that comes in a small plastic bottle, to add “light” to one side of the pale tree trunks, and a silver metallic Sharpie to add shade and contour on the other side. The dark trees used that silver Sharpie to make pale streaks, and brown and black markers to make dark ones, to give bark texture. Shrubs and flowers are cut with “messy cutting,” a way to create unstructured, organic-looking shapes. She reminded us that the back of the fabric sometimes is the better side to use. After basic lessons on foreground/background placement for perspective, those pieces are glued to the background with glue sticks. She brought a big box of various markers she uses to add or subtract color, and a big bag of crayons for same. Leaves are added last, using a leaf print and fusible web.

I don’t have leaves fused in place yet, but you can see a few of them for the effect.

From her samples, it was easy to see that the finishing (borders, quilting,) make a big difference in the final look. In truth, this isn’t a three-hour project. But it is doable by beginners, and it was a fun lesson in this type of appliqué and design.