Tag Archives: Balance


Recently I’ve shown you a few illustrations drawn in EQ7. (See pictures here and here.) One of them was to become a sample for my upcoming medallion design class, and the others will be used to illustrate various ideas for the students. Here is one of two that I started with.

Consensus in comments was that the design was too busy and didn’t look maker-friendly. I simplified it by removing the piecing from the spacer blocks — see the connecting blocks between stars in the final border and between pinwheels in the middle border. I also changed two of the patterned borders to plain white.

I liked the simplified version, so I made it.

Dizzy. 60″ x 60″. September 2017. Photo by Jim Ruebush.

Even if I design a quilt prior to making, it almost always gets changed in the translation. Fabric simply doesn’t look the same as pixels. On this one, I found that the density of color and pattern in the center (visual weight) was too much as compared to the middle and outer borders. It was unbalanced. To fix the balance, I replaced the white in the illustration’s outer narrow border with green. As soon as I did that, I was happier with it. The binding of the strong blue adds punctuation.

I quilted it with a double teardrop design. The quilting is pretty dense, making the quilt less cuddly and soft than I prefer, but I like this look. The second photo is of the underside while it was still on the frame. 

The quilt is named “Dizzy.” Between the spinning pinwheels and all the stars, as well as its overall brightness, it reminded me of the lightheaded feeling of standing up too quickly. “Dizzy” sounds better than “Lightheaded” though. ūüôā

Just to round things out, here is “Dizzy” by Tommy Roe.


The Six-Pointed Star UFO Is Still a UFO

but it’s a lot farther along than it was!

Remember where I started with six star points and no real plan? Then I figured out how to set the points in their background fabric and made more borders.

I played with EQ7 to try some ideas for finishing. (Oh yes, in case you wonder, there were many more versions drawn!)

I started on the third of these, making 40 chain (double 4-patch) blocks and cutting the alternate blocks. The chain blocks didn’t have enough visual weight to balance with the center, so I switched gears.

This is the result so far, after a fair amount of unstitching and restitching.

As often, it is too big to take one decent picture of it on the floor. I simply don’t have enough head room above it to get the camera high enough.

Those are dark brown triangles in the corners. They look just right in real life, though in the photos they don’t thrill me. The triangles, along with the diagonal lines of 4-patches, provide the weight in the corners I was missing before. The diagonal lines there and throughout the chains give movement. And the value changes from light background through dark triangles provide the contrast I like.

The small 6-pointed stars centering the borders repeat the star shape in the quilt center. I wondered if they would look too small and fussy, but overall I’m happy with the effect. They were kind of a pain to make. I might post again about making them.

Right now it is about 70″ square. I’ll add another 1″ border, as well as a wider outer border to finish. I don’t have those fabrics in my stash, so will need to shop for the right thing. There are too many other things to do right now, so that will wait, and the UFO will stay a UFO for a while longer.

Finding Balance with Visual Weight

I’m working on that UFO. More accurately, I’ve stalled working on that UFO, because of balance problems.

Last time I showed you a couple of ideas for finishing the 6-pointed star with borders. Both were good ideas, and I kept playing in EQ7 to refine them. This was the winner:

Pretty, huh? I liked the airy way the chains of 4-patches wrapped around the center. After arriving home over the weekend, I set to work making 40 double-4-patches to construct the borders. They finished well, and I was excited to lay them out around the center. But I don’t like the look at all. They definitely look better in the drawing than they do in real life.

The balance is all wrong. The visual weight of the center (everything in the center so far, including the 4-patches on point and the 1″ dark pink border outside of them) is too heavy, relative to the weight of the chains. The difference is so stark, the border chain blocks seem completely disconnected from the center, as if they are from different quilts.

Unity: the design principle that all the elements and components of a design look like they belong, that they are unified, or one.

Balance: the design principle that elements and components of a design have equal distribution of visual weight.

My chains are not well balanced with the center, and in fact, are so badly balanced as to look like they don’t belong.


So it was back to the literal drawing board of EQ7. I have a tentative plan, but you might understand that I’m shy about showing it right now. First I’ll see if it works.

How is your week going? Are you making good progress, or are you in steps-forward and steps-back mode, like I am?

Medallion Process — Final Borders


Unnamed top. About 71.5″ x 71.5″. January 2017.

Last weekend I finished this quilt top. I’ve shown you some of my process along the way, through the flying geese middle border. The geese border needed to be contained and balanced. Putting the orange and hot pink edge both inside¬†and outside does that.

That decision was made before we traveled for the holidays. While gone I worked on designing the final border.

Remember the purposes of middle and outer borders are to

  1. build the story by repeating and varying earlier elements such as color, value, shape, line, and contrast; contributing to a motif or theme; and
  2. correct problems with balance and proportion; and complete and unify the composition.

I used EQ7 to try design options. If you ever think that designing with software is cheating somehow, let me assure you it is not. I spent many hours, trying¬†literally dozens of designs, before choosing what you see above. One option that made the finals¬†was¬†a border of variable stars on point. Those variable stars, in fact, are what inspired me to begin this project, so it was hard to let them go. The star proportions are the same as the variable star in the middle of the Carpenter’s Wheel center block, so would echo it. (The EQ7 drawing below uses a different version of the center block than I used. See the photo above.) The on-point setting also repeats the 4-patches’ setting in the first border. Another benefit is the ability to use all the colors again in a natural way.


Pretty, yes? But I like the boldness of the components that come before, and the stars are small and the detail gets a bit lost. To me the design did not seem well balanced or fully unified.

Long ago I played with a number of quilt designs, which used a repetition of a center block motif in the corners of both an inner and an¬†outer border. Here’s one example (and see more here and here.)

wraparound corners 4

I tried this idea in a variety of ways, and I liked the direction it was taking. I chose corners the same as the corners of the center block. They are the same size, and the pinks are the same fabrics. They made sense, continuing the floral motif and unifying the design in ways the variable stars did not.

However, with all the blank space between those corners, it didn’t balance well with the busyness and boldness of the flying geese. What it needed was more.

Next I tried more. I tried adding a flower variation in the centers of the border. Several iterations of that later, I stopped with my final choice. But still it looked too bare.

Once the chain blocks, made of double 4-patches, were added, I stopped. The 4-patches repeat the inner 4-patches. The chains’ stair-stepping shape also imitates the line of an on-point setting. Finally, they present the notion of floral stems or vines, or even swags, very traditional ways to border a medallion.

I have fabric for the back and will quilt it soon.¬†I’ll show you final photos then.

Three Comments on Balance

In the last post I showed you the quilt I’m working on now. It’s intended as a donation for our local VA hospital, to warm a vet with the love stitched into it. You can see the blocks below.


I talked about choosing the layout, and how using an even number of blocks across, when there are alternate blocks, can lead to an unbalanced layout. My EQ7 isn’t working properly right now, or I would show you a picture I create. Instead I’ll show you from Roberta Horton’s book Scrap Quilts: The Art of Making Do.


From Roberta Horton’s book Scrap Quilts: The Art of Making Do, page 19.

Notice that there are three star blocks on the left and two on the right, making it asymmetrical. If there were another row across, giving three and three, the arrangement still wouldn’t have¬†left-right symmetry. The lack of symmetry makes it feel unbalanced.

In my quilt above, I have a similar layout, but use half-square triangle blocks rather than plain alternate blocks. To my eye, it is balanced. What’s the difference?¬†The¬†strong diagonal line created by the HST takes the emphasis off the horizontal (or vertical) row arrangement. The visual weight isn’t in the shoofly blocks; it’s in the HST, which creates diagonal lines that are symmetrical. (For more about visual weight, see my posts on proportion, parts 1, 2, and 3.)

For the last couple of years, I’ve had the goal to be sturdy and flexible. It’s an easy motto to say: “Sturdy and flexible — that’s the goal!” I apply it to both my physical and mental health. To be sturdy, I need good balance. But in August I hurt my left knee, and it’s astonishing how quickly everything else fell apart! My right leg wants to work much harder than my left leg does. My upper body feels a lot more competent than my lower body does. I am all out of balance, and I don’t feel at all sturdy, and my legs especially are not flexible. (Mentally things seem to be going fine, thank you.)

If you’re a quilter you know how physical our making can be. I get up and down off the floor once a piece is too big for my design wall. I walk up and down stairs, 15 steps each time, to get to my studio. I stand for long stretches when quilting at the longarm. And even sitting at the domestic machine requires good core strength to keep from hurting my back. I need this all to be easier again!

I decided it was time to ask for professional help. I’ve started working with a personal trainer at a local gym. So far we’ve assessed the problem (and she agrees with my evaluation, but in much more specific terms.) And she’s begun showing me the type of work I’ll do to get back on track. I’m looking forward to improving my strength, flexibility, and¬†endurance, and to getting my balance back.

I’m also pondering how to set myself up to finish the year well. The key to doing what I want is knowing what I want.¬†That sounds simple, but you know as well as I that sorting priorities isn’t always easy.

Here is something I wrote to a friend in email two years ago:

… your power is in what you DO, not in what you DID. For me, I can only DO effectively when I am doing the right things, really spending my time and energy on my true priorities. There are a lot of different layers to that, right? Bills have to be paid, dishes have to be washed, etc. …

I finally figured out my magic formula, this funny 3-legged stool …¬†I have to identify my priorities correctly so I can balance my resources right. And I have to get my balance right to maximize my power.

Being sturdy and flexible is about being powerful, able to create and to endure. Identifying priorities is about being powerful, in just the same way.

Identifying priorities. That is the task I’m working on now. I’ll talk more about that another time.