Category Archives: Creativity

Distracting Myself With Drawing Quilts

It was another rough news week, wasn’t it? Between threats of nuclear war with North Korea, the possibility of invading Venezuela (and WHY?? I keep up pretty well and haven’t been able to figure this one out,) and the disgusting display of American Naziism in Virginia over the weekend, I’ve practiced distraction a lot.

I’ve been quilting my big 6-pointed star quilt in pink and brown, too. I posted a handful of pix in Instagram, but nothing here. I have it about 75% done, but it is now off the frame, as I’ll turn it to do the last two sides. (Because I’m doing “custom” quilting, and treating each section differently, the borders are easier to do in one pass. If I turn the quilt 90°, I can do the sides that way, rather  than in pieces as the quilt rolls from one end to the other. If you didn’t understand what I just said, don’t worry… 🙂 )

Besides that, I’ve been thinking about my upcoming class. I will make one quilt to feature in the shop’s marketing. I’ll also make two quilts along with my students. But I also will draw several more, to show them examples of how they might use simple blocks and unpieced borders to create an intricate design.

Here are a few. All of them will create a quilt finishing 60″ square. The center block for each is the same size, and the border widths are the same sizes. They all use the same blueprint.

I’ll start with a re-do of the white and bright one from the other post. This preserves the flavor but simplifies it quite a bit.

Next are two that also use spacer blocks in the final border.

And two more that have more traditional block placement in the final border.

These were fun to create, and served well to keep my mind off some less happy topics.

Giving Credit and Avoiding Copyright Violations

There’s a new skirmish in the quilting community. Apparently the admin for a Facebook group used tutorials and patterns created by other people, without attribution. When challenged on it, she kicked the complainers out of the group and made the group private.

Stealing is wrong, and though I don’t know the details of this story, it sounds like the admin did the wrong thing.

A couple of bloggers/quilters I respect have written about the incident and how to avoid copyright infringement. (See Sam Hunter’s post and Lori Kennedy’s post.) I’ve written about it, too, with some different links and thoughts. Since the last time I posted about it was a couple of years ago, I’ve updated that information below to provide it again.

Do you remember Robert Fulghum’s famous essay? “All I Really Need To Know I Learned in Kindergarten” begins like this:

Screen Shot 2015-09-01 at 5.20.28 PM

The essay was published in Robert Fulghum’s book All I Really Need to Know I Learned in Kindergarten. I am using this excerpt based on “fair use” rules for copyright.

Honestly, we don’t share everything, but I know bloggers and crafters are incredibly generous. Mostly we don’t hit. And as to messes, what happens in your studio should stay in your studio!

But there are three things here I think we should take seriously. One is playing fair, and one is not taking things that aren’t yours. And when we do mess up, we should apologize.

I see two separate areas of trouble when it comes to playing fair and giving deserved credit. One is for bloggers, and the other is for quilters and crafters. Obviously the two groups overlap.

BLOGGERS
Sometimes, in enthusiasm to share cool stuff and brilliant thoughts, bloggers use work that is not their own. Using information from other people might include photos, words, charts, tables, logos, or illustrations. The easiest violation is with photos. I wrote some about this earlier this year.

Are you sharing photos of someone else’s work? (This happens a lot after quilt shows.) Did you give them credit? There are both ethical and legal concerns on this. Legally there are copyright rights to the photo itself, and also to the creative work being photographed, such as a quilt. I am not the best person to speak about the legal issues, but I know enough to be very careful about sharing photos of anyone else’s quilts. In fact, unless I am linking directly to a picture someone else posted, I pretty much don’t do it anymore. (Some photos are in the public domain, meaning there is no copyright protection. Those can be shared freely. Still, information about the creator and the owner of the work should be included.)

Ethically, using someone else’s work without crediting is taking something that’s not yours, and it’s not playing fair. Ask yourself how you would feel if a photo of your quilt appeared in various blogs, but the bloggers didn’t have the courtesy to credit it with your name, or a link back to where they found your glorious quilt. Or even to ask permission to use the picture.

If you’d like more information on posting other people’s content appropriately, see a really helpful post from HubSpot Blogs. It is on citing sources and not stealing other people’s work on the internet.

QUILTERS, SEWISTS (SEWERS), CRAFTERS, ET AL
When it comes to creating tangible (rather than digital) work, there are other ways to take things that aren’t yours. Here again, there are obvious (I hope!) examples of wrong-doing, as well as others that might seem more grey.

First, a lot of people see no harm in copying a pattern that someone else purchased. If your friend buys a pattern and you want to make the same thing, you can just make a photocopy or scan of hers. In fact, your whole bee or swap or small group can have copies, too, right? But there is harm, as it deprives the creator of pay for their work. Imagine working — many hours of effort — to create a product for sale. Imagine someone taking it without paying for it. That is stealing, plain and simple.

Sam Hunter wrote about this better than I can. When a friend-of-a-friend stole one of Sam’s patterns rather than paying for it, it created a sticky situation, to say the least.

And remember, this isn’t true just of patterns that you buy one at a time. It also counts when you didn’t buy your own book or magazine patterns, but photocopied someone else’s instead.

Now comes the harder part, the grey area. Now also comes the caveat. I am NOT an attorney and am not providing legal advice. Most of the information provided below is based on two posts by Jen Bernstein. [Links below.] She is an attorney, but she also is not providing you legal advice. If this is an area of concern for you, please retain your own attorney. 

The design (what a quilt or project looks like) and the pattern (instructions of how to make it) are separately copyrighted. So let’s say you see a quilt and don’t want to buy the pattern. Instead you spend time figuring out how the block is made, how many of them there are, and how big they likely are based on the size of the original. You draw it all out in EQ7 to get your layout and fabric requirements. Ta-DAH! It’s all good, huh? Well, maybe not.

Depending on how closely “your” design matches the original, you may have infringed on a copyright. For more information, see Jen Bernstein’s guest post “Can You Copyright a Sewing Pattern?” on Abby Glassenberg’s While She Naps blog.

Don’t take things that aren’t yours. That’s the legal part of this. Now I’ll return to the ethical part: play fair. To me that includes acknowledging others for their inspiration and contribution.

That might mean literal acknowledgment in blog posts and Instagram and pins, or on labels. Some people say when you label your quilts, you should include the pattern and designer’s name, or the source of inspiration. I’m not likely to put that stuff on labels (I design my own quilts), but I agree with the intention.

Or it might just mean having an attitude of gratitude when we create. None of us is the first ever to make a quilt. That happened thousands of years ago. Regardless of how original we think we are, how fresh our designs, we were inspired by something.

Even if we are “self-taught,” likely that means learning from online sources or books, which someone else wrote and made available to us. We should be proud of ourselves and our work — we do amazing things! But we can be humble enough to feel gratitude for those who came before us, and for those who work by our sides.

A New Shirt

Despite the fact my mother could sew anything, I am not a “seamstress.” Garment-making has never been an interest of mine, and I could likely count on two hands the number of garments I’ve made.

However, a couple of years ago I bought a shirt I love wearing. It is flat in construction, with incredibly minor detailing at the cap-sleeve edges and at the neckline. The rayon feels soft and smooth and has a lovely drape. I wanted MORE, in more fabrics, more colors! Last year I bought two pieces (maybe three!) of fabric just to make more versions of the same shirt.

Finally, in this weird interlude of summer, after some things and before others, I made one. The cotton is a high-quality quilting fabric, with a slightly napped texture and sturdy feel. It doesn’t drape like the rayon. But I set the front on the bias, which helps soften it. I omitted the cuff detail on the sleeve edge. Instead of finishing the neckline with binding and a small keyhole at the back of the neck, I simply turned it under twice with top stitching. It fits well and comfortably. I love the fabric (by Stephanie Brandenburg of Frond Design Studio) and am happy with how it turned out.

What Is Your Next Quilt?

How do you choose your next project? Do you decide based on deadlines, such as special occasions or upcoming classes? Or do you pick an exciting new pattern, an old UFO, or a great piece of fabric to get you moving? What motivates your choice?

It’s a question about priorities. Digging a little deeper, it’s a question about why you quilt. Do you quilt to please yourself, or to meet obligations, or from a sense of guilt?

I’ve made guilt quilts. That isn’t necessarily a bad choice, but the main reward is in simply finishing. There usually isn’t the sense that “it’s all about the journey.” Sometimes I quilt to meet obligations, usually self-imposed. But these days I quilt mostly to please myself.

Sometimes I wonder what to choose as my next project. What will please me most? I’m not always very good at choosing between competing temptations. There are projects I’ve long wanted to do and continually think, “that’s the next one.” There are a couple of UFOs in one drawer, and several yards of scraps in another. Both drawers call to me. There are class samples to make, as well.

I usually choose either what is most urgent or what is easiest to lay my hands on. Neither is necessarily the one that will satisfy me most.

***

When my son was in first grade, his teacher’s philosophy on reading was the children should choose from a Goldilocks variety of books: some books should be a little too hard, some should be too easy, and some should be just right. The variety allows students the pleasures of speed, of comprehension, and of challenge. That philosophy can work well for quilting, too.

Usually I don’t pick quilt projects that are “easy,” but I have made several disappearing 9-patch quilts, and I will make them again. They are easy to execute and always turn out well. Most of my projects are in the “just right” and “rather challenging” groups. I enjoy extending my skills and figuring out ways to make my work fresh and interesting, while still looking like “me.”

Right now I have three projects, all somewhat defined, to consider. I might not choose but work on them concurrently. One is a UFO that I’ve taken apart to blocks. The blocks are not symmetrical, so their arrangement makes a big difference in how they look together. It should be in the “just right” category, aside from settling on design.

I’ve taken the borders off and separated the blocks. All the parts are pressed and ready to reuse, as soon as I have a good plan.

Another has been in my head for at least three years. I’ve put it off because, to me, it is hard. The third is a class sample for my October medallion class.

How do you choose your next project? Are they intended for growth or for fun, or some combination of the two? Are you most motivated by deadlines or sew-alongs or challenges issued by your guild? What gets you going?

 

An Ode to Half Square Triangles

It’s time to dust off an old post (January 23, 2015) and replay it for those who missed it.

An Ode to Half Square Triangles

How do I make thee? Let me count the ways.
I cut thee to the depth and breadth and height
Seven-eighths of an inch greater than finished
And then cut across the diagonal.
I make thee to the level of the HST ruler
Available from Fons & Porter and others.
I make thee with Thangles, stitching through the paper.
I make thee in sets of eight, filling me with praise.
I use thee with the passion putting you to use
In my old UFOs, and with my next children’s quilts.
I love thee with a love I seemed to lose
With my lost senses. I love thee with the breath,
Smiles, tears, of all my life; and, if fates choose,
I shall but love thee better after quilting.


And the inspiration:

How Do I Love Thee (Sonnet 43)
Elizabeth Barrett Browning (1806-1861)

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.