As I work on another project, I’m mulling over the meaning other quilters give to the idea of “improv.” This is a long post, so thank you in advance if you choose to read.
Improvisation often implies just winging it, or spontaneously reacting. However, great improvisational speakers are prepared, understanding their topics and practiced in persuasion. Great jazz improvisers have tremendous musical training and preparation. They may not plan their improvs, but they aren’t just “winging it.” The inspired creativity of extemporizing is built on the rest of the written piece. It generally has structure and form, following loose rules not obvious to the untrained listener.
A post on Disc Makers Blog quotes an interview with legendary jazz pianist McCoy Tyner. Tyner said that he doesn’t practice for improvisation, but what he does is to compose a lot. To him, improv and writing music are the same in many ways, but improv is composition on the spot, in real time.
In quilting, this would be as if designing a quilt and “improv” quilting are the same, except that improv is a faster process. I’m not sure that’s how I see it, but I’ll get to that in a moment.
Quilters often take a different view altogether. Somehow “improv” has come to be seen as a style. Think Gee’s Bend. Or think of a number of different books on quilting improv. As I look at the covers in Amazon, they all feature quilts with seams that aren’t straight, points that don’t match, non-standard blocks or traditional blocks that are done in a wonky style.
To check on my impression of this, I googled “what is improvised quilting”. One of the first posts is the gallery of photos from the Modern Quilt Guild. All the photos on the first two gallery pages are styled with the characteristics I mentioned above.
One improv quilter, Cheryl Arkison, wrote about “What Really Counts As Improv Quilting?” :
… taking a traditional pattern and making it without measuring pieces or worrying about perfect points. This often makes it wonky.
… sewing together random bits of fabric to become bigger pieces of fabric. These can be used on their own or as part of something else.
… taking a certain cut of fabric and sewing it to another with no preplanning about what goes next to what. Free form piecing.
… changing course midway – once, twice, or thrice (or more) – because you can.
… an attitude that allows you to not freak out when something goes wrong or off track while piecing a quilt top.
… being open to the direction your quilt takes or being okay with scrapping it when you hate it.
… as much about the process as the product.
I would argue that the first three points above have much more to do with style than with improv. To me, improv is NOT a style or a quality of work, but a process, akin to improvisational theatre and music. It is a process about paying attention, making decisions based on what’s already happened, and choosing next steps based on resources available. It isn’t about randomness. I do like her point that it is an attitude that allows you to not freak out. 🙂
Arkison ultimately emphasizes process, too. “Improv is an approach, a technique that starts with simply starting. You begin without knowing what the end product will look like. You are improvising the design as you go.”
The article mentioned above in Disc Makers Blog has “11 Improvisation Tips to Help You Make Music in the Moment.” The tips begin with “Believe that you can improvise.” Also recommended is learning music theory; I would say this is similar to learning quilt design theory — it isn’t necessary to improvise successfully, but it does give you more to go on. Other tips include:
- Try reacting to what’s around you
- Embrace the accident
- Don’t judge yourself in the moment (but review after the fact)
- Say something — let your listener connect to the music by telling a story with it
- Keep learning
All that said, how about this piece? I started to tell you about it in my recent post A Lot of Fun Stuff Going On. Here is the current status (and I will probably add more borders):
The photo is slightly off square, but the piece is on the money. 🙂
If you look at this through the eyes of the Modern Quilt Guild, I expect this would not be considered improvisational. But they don’t know about my process, do they? They don’t know that this started as a strip quilt, not a medallion quilt. They don’t know that the house was my design, and that it looked empty and lonely by itself, so I decided to add mullions on the windows and moulding on the door, and a tree. Or that the tree continued to grow without a plan, as trees do. They don’t know that the bird once lived in an anthology of children’s stories and poetry.
They don’t know that my process included choosing teal to frame the house, because teal would repeat the color of the door and feed well into the other fabrics I already chose. Or that I began with scraps of border stripe in a variety of lengths, none more than a few inches long, and found to my surprise that with careful piecing I had enough to miter them into the corners. Surely that is improvisation!
They don’t know that the next two fabrics were chosen after audition, or that their widths were determined based on what came before, what the fabrics themselves offered, and the potential for what will come next. They don’t know that this is another pink and brown quilt, because it is NOT! Because of improvisation.
And what will come next? I don’t know!! I still have 112 flying geese made for my strip quilt, and it’s possible that about half of them might fly around the edge. Or maybe not. My process allows me to make that decision when I am ready to make that decision.
You don’t have to give up rulers and measurement and high-quality construction to make improv quilts. Your points can all be perfect, or not. To me, the real process of improvisation in quilting is that of making one decision at a time, and being open to the notion that any decision you make might be wrong, and call for a change. It is not a style, it is a process I’ve also called Design-As-You-Go. It is what I teach in my Medallion Improv class. It is how I prefer to work, even though I often switch to design software to choose my later borders. That too is part of an improv process, because I leave open the possibility (which often happens) that I will not like what I designed with software, and I try again without freaking out.
In fact, I believe medallion quilts are uniquely perfect for improvisation. Because you make one border at a time, you can make one decision at a time.
Off my soap box now. Thanks for reading, if you’ve gotten this far. What do you think about improvisation? Do you improvise in quilting or other parts of your life? (We’re really all just makin’ it up as we go, aren’t we?) 🙂