I’ve been working on lots of parts of my quilty life the last couple of weeks. The biggest project has been toward completing my Fire & Ice medallion quilt in red and white. In my last post I described my intended process for quilting it. That process included designing the stitching, , transferring the design to Golden Threads paper, and quilting a muslin mock-up. It’s DONE! I think the design is very pretty and I hope it translates well to the pieced top.
I was inspired by traditional Welsh quilting designs, as well as Gaelic/Celtic motifs. These photos give a sense of the design. Lighting is everything, isn’t it?
And these should give some idea of the process. Jim was a big help in thinking through drawing and transferring the design. First we spread the quilt top on the table and covered it with plexiglass. Jim put a clamp on either end so the plexi wouldn’t slide while we worked with it. We experimented with different markers and methods of drawing arcs. You can see the outer border in these two pix.
Once I was happy with the designs for the borders (outside border above, corner blocks, and the hourglass border,) we removed the quilt top and placed a piece of batting under the plexiglass. The batting was simply to put a light background under the plexi so the blue lines would show. Then I traced the designs onto the Golden Threads paper.
I cut more pieces of paper to stack with the traced ones, and I stapled each stack together. The staples keep the pieces of paper from shifting.
Each stapled stack of paper had the pencil tracing on top. I used a basting stitch and no thread in the longarm to punch the design through the whole stack. I made enough to do both the practice quilt and the real thing. One thing I found was that pinning the papers to the quilt made the paper warp and pucker. After a couple of times like that, I simply stabbed long pins through, clear up to their heads. There were enough of them to keep the paper from moving much, and the paper stayed flatter to the fabric.
The next two pictures show the muslin on the frame, after quilting the first border and also after removing the paper. In truth, it took as long to remove the paper as to quilt it. The paper tears away pretty easily, but of course you have to be careful not to stress the stitches too much. Also it comes off in big pieces and tiny shreds. I brought a vacuum cleaner in with hose attachment, and cleaned up the little bits with that. (I also vacuumed everything in the room once I was done, as I’m sure lots got away.)
You can see by the picture above that the quilted lines are not smooth and crisp as they are in the blue marker drawing. I chose to do the spirals as roses, so that was intentional. As for the rest, the longarm is large and heavy and hard to maneuver smoothly. I am not experienced with rulers, so wasn’t able to perfect them that way. While I wasn’t thrilled with the look at first, I quickly decided to embrace the wobbliness. As long as it covers the quilt evenly, it doesn’t look like a mistake. 🙂
Next to do on this project is to load the real deal, change the needle, change the thread to white, and get started quilting. The actual quilting time is not huge, so I hope to have it quilted by the end of the week.
It was really interesting to be taken through this process–and WHAT a process! I like thinking about the creative problem-solving you engaged in and the teamwork. Will you finish the muslin mock-up as a quilt in its own right?
Yes, and I actually left some steps out of the description. 🙂
I showed a photo of it on facebook and my niece “fell in love.” She asked if I would sell it to her. I said I will give it to her, warning her that it really does look better from a small distance than it does up close. I’ll trim it, bind it, and wash it, and send it to her. But that won’t be until later in the summer, as other things take a higher priority for now.
The quilting designs are beautiful! go for it!
Thanks! 😀
I love the muslin mock up. I’m sure the real thing will be fabulous – looking forward to seeing it.
Sorry for the slow response. This got thrown into spam for some reason! Thanks so much for your kind comments. The real thing is slow going, but it’s going fine so far.
I enjoyed watching your process. Good luck on the real thing!
Thanks for your good wishes. We’ll know in a few days how it goes. 🙂
What a work of art!
Thank you! I’m learning… 🙂
As always, the prep takes way longer than the actual doing, or in this case, the actual quilting. LuAnn Kessi recently blogged about a whole cloth quilt she did. Her approach was to do the quilting design and execution in layers. She marked her design on her top. I look forward to seeing your completed quilt.
I really admire whole cloth quilting, I’ll admit in ways I couldn’t have earlier in my quilting life. But I love piecing enough that it will probably never be my “thing.” Thanks for taking a look.
The level of work is amazing! Great job!
Thank you!
Gorgeous! And, what a process!
Thanks much! It’s good to see you!
Thank you so much for taking us through this and pointing out the issues and short cuts. Not having access to a longarm, I doubt I’ll ever be able to plan and execute a full size quilt this way, but at least I now know how! Interesting to learn that a longarm is heavy to move around; I’d always imagined they’d be extremely mobile, with all the weight taken by the arm itself.
My machine weighs about 48 pounds (22 kilograms.) The roller system on which it moves is agile, but the momentum of the weight makes it hard to move smoothly on the diagonal. And long curves are all diagonal, if you think about it. The Golden Threads paper would work for small machine quilting, too. The main reason to use it here is because I wasn’t willing to mark on the top. Even that way, though, there would be the wobble in the long lines. The way to fix that is to use the thick rulers. I have some, and a ruler base, but I don’t have the kind I’d need for this, nor do I have the experience. One more thing to learn, but it isn’t very high on my list today.
Thanks for clarifying 🙂 I don’t know yet if I can get the paper locally, having been away for 2 weeks. But I’ll certainly be checking it out.
Some people use tissue paper, like you might use in wrapping presents. https://www.youtube.com/watch?v=qPMhzHTQRrw
I took a look… interesting. It made me think of the tear-away stabiliser I use on the back of appliqué projects, which tears away cleanly from the stitching. I might give that a go. It also has the virtue of being stiffer, which I think may make it easier to handle. If it works out, I’ll post about it!
The Muslin Mockup looks spectacular – and wow that is dedication to do a mock up first (and very smart) before going to your lovely medallion quilt.
Thanks, Tierney. This quilt is sucking up almost half of my year. (Not literally, but … ) Is it dedication or some special craziness?? Not sure I know anymore! 🙂
Lots of work and steps. I enjoyed helping you. It will look perfect on the finished quilt.
So much learnin’ on this quilt! New processes and techniques with nearly every step. And then there are the other dust-ups about it!! (I’ll be glad when it’s done.)