I am very blessed — I have few real deadlines or obligations in my life. (Taxes? Done! Death? Not in a hurry!) But when I’m nearing the end of a project, and nearing the end of a month, I end up telling myself I should finish that project by the end of the month.
I LOVE finishing things, because then I can start new things. And with a new class to teach this month, it was great to clear the decks at the end of March. In doing so, I finished Stained Glass Too and Garden Party.
I’ve shown you progress on this quilt as I made it, and I showed you the finished top before quilting.
The quilting I chose (which you probably can’t see in the photo above) was simple meandering. The primary reason was because I wanted the effect of ripply antique stained glass, and/or the notion of the colors being wavy and washed like watercolors. As simple as the quilting was, it did what I wanted.
I love the colors and fabrics in this quilt, almost without exception. It was fun to make a quilt all tending toward warm. Even the “cool” colors were greens, turquoises, and purples, so all had warm hues mixed in. The quilt became a little bigger than I’d originally planned. I thought it would stop after the broader green border toward the outside edge, but when it got that far I wanted it a little airier, so added the narrower strip borders and the final pieced border of beads.
Besides lightening the total effect, that last pieced border also repeated the triangle-in-a-square units used near the center. At the same time, because the long beads are of two colors, it echoes the notion created in the hourglass border, where two colors come together separated by a spacer.
In critiquing farther, I haven’t decided how I feel about the low-volume effect. In a relative sense, the dark turquoises and that olive in the strip borders show up as dark, but they are more dark-mediums. I’m kind of a high-contrast gal, so it’s a narrower range than I am used to.
I also don’t love the fabric used for those spacers in the hourglass border. Spacers were required because the quilt is oblong. The block size that would fit “correctly” on the vertical didn’t fit on the horizontal. The color comes off as murky as compared to all the clear pastels. But it is the same fabric as in some of the center’s hourglass blocks, which were leftovers from another project. Repeating that fabric helps tie the center to the rest of the quilt.
This quilt is going to stay with Jim and me, as it has not claimed another owner. The bright, cheery colors suit our living room and we’ll enjoy using it.