The Tree of Life is an old motif, dating back thousands of years in religion and philosophy, and hundreds of years to textiles from India. This quilt from the Smithsonian collection dates to around 1840. It was appliqued in the Broderie Perse style, popular at the time.
A couple of years ago on an outing with my quilting small group, I was lucky to find a panel printed with a Tree of Life motif. It was designed by artist/illustrator Julie Paschkis. In fall 2013 I began a quilt with it, but I got bogged down with other projects and didn’t get very far. Still it called to me to come back, try again.
With my initial start, I created and attached side borders. I also made a bottom border of a completely different nature. My intention was to applique the first border on the top. But last week as I analyzed the work, I felt increasingly uncomfortable. Asymmetrical borders don’t bother me at all. But I was intending to have 3 vastly different kinds of borders on 4 sides. They just didn’t seem cohesive, and the sizing would have been a problem, too.
Ultimately I removed the side borders and began again. This time I could visualize almost the whole quilt without struggle. Colors still confuse me some, but they will resolve as I proceed. This is what I have so far.
The picture is crooked but the panel is straight! 🙂 The original panel includes the center with black background. The first border is the narrow red strip surrounding it. (Actually, there is a very narrow black coping border at the top and bottom of the panel, both to finish framing it in black and to create a size that was easy to use.)
The second border is of half-square triangles, using pale caramel as the background color. This creates value contrast with the black-backgrounded center, but uses a color that appears in the tree and branches. While all 4 sides are the same width, I’ve maintained the non-square rectangle of the panel. I also set the triangles asymmetrically to keep the light-hearted tone of the panel.
You see black strips around that, which are not attached yet. They’ll create a narrow border, allowing an edge and repetition of the center’s black. And after that… you’ll need to wait and see!
I struggled with this project before and set it aside. Deciding to unstitch and restart was a good decision, and I’m having fun with it now.