# Design Process — Another Way to Go On-Point

I posted in August about choosing between straight or on-point settings for medallion quilt center blocks. There are good reasons for both, including the shape and orientation of the center block, as well as your personal preferences.

I demonstrated that blocks that are directional through the diagonal may look best set on point. Here is the straight set:

Square block, directional through the diagonal. Use on-point setting.

And set on point:

Directional square, set on point.

That one is an easy choice for setting.

Here is one that’s not as obvious. When I began one of the samples for the Medallion Sew-Along, I chose a churndash block. It’s based on a simple 9-patch format.

And then I set it on point.

As soon as I turned it on point, I knew I wasn’t happy with it. Though technically it was fine, my personal preferences led me, ultimately, to turn it back to a straight setting. (See more about this quilt and its design process here.)

I could have chosen a different way to simulate an on-point setting, while keeping a straight set. Here is another churndash block:

And here are two different settings, both assuming a 12″ center and 24″ finish, to keep the scale the same.

Which do you like better? It’s just a matter of your personal preference for appearance. I like the second one better, but I’m not sure I could explain why.

How can you get the effect of the second, using a straight setting? Any blocks with a diagonal pattern may be used. I’ve illustrated it with half-square triangles, but you could use log cabins, Perkiomen 9-patches, double-4-patches, jewel box blocks… The list goes on.

Note that there are an even number of setting blocks across (and vertically). In my illustration there are 12 blocks. (I could have achieved a similar look with as few as 4.) The even number allows the pattern to split in the middle, creating the point.

Also, I demonstrate it with an outer “border” of dark green, for simplicity and to make it more comparable to the on-point example. But you could use any blocks after creating the inside diagonal lines.

I hope this gives you an extra tool in your kit, and a way to resolve some setting problems for your medallion quilts.

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## 6 thoughts on “Design Process — Another Way to Go On-Point”

1. Bluebird Annie

I didn’t understand a word of what you just said! To me, “on point” means wearing toe shoes in ballet class. But, your patterns are beautiful! There is a lot of “science” that goes along with the “art” of quilting. But a good “eye” for what “fits” is most important of all.

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1. Melanie in IA Post author

I think a lot of people would be surprised how analytical the process can be. That suits the math-y side of me. The color and design side suit the aesthetic part of me.

Thanks for taking a look today.

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2. Thread crazy

Melanie I like the first green border design and the reason is – it’s different and I like blocks turned on point. To me it gives a sharper image and stands out more being on point, but then that’s me. Almost looks like a new block design. While i like both blocks, the first one is my choice. Just my thoughts.

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3. Ana Graff

First time visitor, intrigued with on point setting. Upon further mental review, the on point choice in this instance draws the eye in to where the center almost becomes a black hole. Too much! The straight choice seems more restful with a pleasant underscore. I have found that in design, we often gravitate to our instinctive preference, based on elusive subliminal feelings that just sit right with us. Trust the instinct 🙂

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1. Melanie McNeil Post author

Welcome, Ana! Interesting observation. I think color, value, and fabric pattern choices might affect that. But yes, our instincts should lead a lot of the time. Thanks for reading and commenting.

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